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Prints with cream, ivory or off-white in the artwork. Light, airy prints to keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start a gallery wall.
Prints
257
Goes with
Plum, navy, charcoal
Mostly in
Japandi, Figure
Showing 25–48 of 257 results
Botanical
A simple dark green arch sits inside a paler green outline against warm cream: architecture reduced to its plainest, most restful shape.
Figure
Folded jumpers in oxblood, cream and near-black rest on a blush pink chair, painted with the same loose warmth as a lived-in room. The colour story leans soft and cocooning, ideal for anyone drawn to slow mornings and textured knits. A gentle still life for a bedroom or reading nook that wants warmt
Coastal
An upturned rowboat rests on the beach beside open water, its striped hull the only colour against a soft sky. A quieter, off-duty companion to the dinghy piece.
Architectural
A single opening, framed in quiet colour. The Aperture centres a soft, rounded void surrounded by charcoal and sand, terracotta catching the eye at its edge. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A small, unassuming shrub sits in a terracotta-toned pot, kept modest in scale: the kind of plant you’d actually have on a side table.
Figure
A close, cropped view of legs mid-stride, chunky terracotta boots grounding a soft cream trouser leg. The everyday gesture of walking becomes something considered here, painted in loose, confident strokes. Warm and matter-of-fact, it brings a quiet sense of movement to a room.
Coastal
A crab scuttles sideways across the frame, its shell and claws built from confident layered teal. Playful without losing the collection’s painterly restraint.
Japandi
The breath between one word and the next. The Pause is the quietest piece in the collection: a single terracotta mark suspended in soft, open space. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A fortress gate rises in stepped terracotta and cream, its crenellated battlements catching the last warm light of the day. A deep arched doorway sits low at its base, small against all that stacked stonework above. Terracotta and cream carry the whole piece, monumental and sun-worn.
Animals
A tabby cat sits primly upright, striped and self-possessed as any small throne-holder.
Botanical
Nine small glass jars, each holding a different seedling, are arranged in a neat grid like a windowsill herb collection labelled and lined up.
Botanical
An ornate glass dome catches the light on every ribbed panel, holding nothing but a single small golden object resting on the floor beneath it.
Coastal
A pale sun hangs low over banded waves, the whole scene pared back to a circle and a few soft horizontal bands. Minimalist, meditative, sea-facing.
Figure
A single stride caught in white sneakers and ribbed socks, set against a deep burgundy ground that makes the warm skin tones sing. There is a casual, street-worn energy to the pose, loose and unposed, painted with the same gestural brush as the rest of the collection. Rich burgundy and warm cream ca
Coastal
An oyster shell opens to reveal a single pale pearl at its centre, its ridged layers built in stacked shades of teal and cream.
Architectural
A spiral staircase coils down through the centre of the frame, viewed from directly above so the steps read as pure radiating pattern. Terracotta, cream, and charcoal alternate around the spiral, dizzying and precise. Terracotta and charcoal carry the whole piece, hypnotic and architectural.
Animals
A fox dissolves into its own outline: fur becoming flame, becoming leaf, becoming pattern.
Botanical
A single eucalyptus branch leans quietly across the page, its leaves painted loosely enough that you can still see the brush move.
Coastal
Rows of overlapping scallop shells stack like roof tiles, shading from deep teal at the base to pale cream at the crown.
Japandi
What holds everything else in place, unseen. The Root is a grounded, downward-reaching composition in earthy sand and charcoal, terracotta at its centre: quiet strength. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Animals
A snail gathers toward a single terracotta centre: a watching eye, or a ripple that never stops moving outward.
Botanical
A hand reaches in from the edge of the frame to settle a leafy branch into a striped ceramic vase, caught mid-gesture.
Coastal
An empty striped deck chair waits on a plain ground, angled as if just vacated. A quiet, inviting stand-in for a day at the beach.
Japandi
The shape of land, read from above. The Contour layers soft overlapping forms like elevation lines across taupe and sand, a single terracotta mark breaking the pattern. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
Cream, ivory and off-white prints keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start.
For a soft, layered wall, combine cream prints with taupe and beige or sage. See our minimalist prints and Japandi wall art for more light tones, and try them in a living room or bedroom.
Cream prints make small rooms feel bigger and dark rooms feel brighter. They suit renters and first homes, and they sit happily beside any bolder print you add later.
Keep exploring
Shop by colour Taupe & beige Charcoal & black Minimalist Living room
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