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One stroke, one idea. Line art prints use a single continuous line or a few simple marks to suggest a face, a figure or a form. They suit minimal rooms and look striking in thin black or natural oak frames.
Prints
14
Colours
Beige, cream, charcoal
Works in
Living room, bedroom, hallway
Showing all 14 results
NewJapandi
Stillness, suspended. Jhoola (The Swing) traces the gentle curve of a courtyard swing in soft charcoal and sand, terracotta marking its resting point. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
The blank space that gives the rest of the room to breathe. Yohaku (The Margin) frames a small charcoal and terracotta form within generous open space. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
What breaks can become more beautiful for having been repaired. Kintsugi (The Mend) traces a golden-terracotta seam through a fractured charcoal form: visible repair, made art. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The quiet connections that shape a life. En (The Meeting) brings two soft forms together at a single point, terracotta marking where they touch. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A single form, turned inward on itself. The Coil traces a slow spiral in muted charcoal and sand, the kind of shape a hand makes without thinking: instinctive and self-contained, grounded by one terracotta dot. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
The line a hand leaves after the hand is gone. The Trace is built from thin, overlapping outlines in charcoal and taupe: a record of movement rather than a picture of a thing, quiet evidence, not illustration. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
Before words, there were shapes. The Gathering pulls together soft, overlapping forms in charcoal, taupe and a single terracotta dot: a cluster of quiet presences, close but distinct, like stones settled by a tide. Part of the Before Language collection: quiet, considered wall art designed to be l
Japandi
A low, continuous sound before it becomes a word. The Murmur is the quietest piece in the collection: soft taupe and sand forms drifting beneath a thin outline, with one terracotta note breaking the hush. Part of the Before Language collection: quiet, considered wall art designed to be lived with,
Japandi
A small space made for something precious. Taaq (The Alcove) renders the recessed niche found in Mughal interiors, terracotta sitting quietly within soft taupe and charcoal. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A threshold worth pausing at. Darwaza (The Doors) frames a grand entryway in charcoal and sand, terracotta detailing the centre seam. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The open heart of the house. Sehan (The Courtyard) captures the quiet, symmetrical calm of a Mughal inner courtyard in soft taupe and charcoal, terracotta marking its centre. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The quality of things as they change. Utsuroi (The Passing) renders a soft gradient of forms mid-transition, charcoal fading into sand, terracotta marking the moment of change. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Beauty in the not-quite-symmetrical. Fukinsei (The Almost) balances charcoal and taupe forms just off-centre, terracotta unbalancing the composition on purpose. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The pause is the point. Ma (The Interval) is built almost entirely from negative space: a single terracotta mark in a field of quiet sand, the collection’s namesake piece. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Showing 14 of 14 prints
Styled at home
Line Art above the side table
Prints from £4.99
Styling notes
Frames
A thin black frame echoes the line. Natural oak softens it.
Pairing
Pair with a Minimalist print that has one block of colour.
Placement
Works well small. Stack two A3s in a narrow space.
Best on
Off-white, pale grey walls, framed in black wood.
Try line art prints on a photo of your own wall at true size.
One stroke, one idea. Line art prints use a single continuous line or a few simple marks to suggest a face, a figure or a form.
They suit minimal rooms and look striking in thin black or natural oak frames. For more, see minimalist prints and figurative wall art, or pair a line drawing with a bolder abstract print. Line art works well in a bedroom or home office.
Line art looks best with a wide margin, so choose a size a step larger than you think, such as 42 × 59 cm instead of 30 × 42 cm. Two line drawings facing each other make a simple, elegant pair above a bed or sofa.
Keep exploring
Shop by style Minimalist Abstract Gesture & Figure Charcoal & black
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