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Prints with cream, ivory or off-white in the artwork. Light, airy prints to keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start a gallery wall.
Prints
257
Goes with
Plum, navy, charcoal
Mostly in
Japandi, Figure
Showing 25–48 of 116 results
Japandi
The line a hand leaves after the hand is gone. The Trace is built from thin, overlapping outlines in charcoal and taupe: a record of movement rather than a picture of a thing, quiet evidence, not illustration. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
A single thread, part of something larger. The Strand traces a soft looping line through charcoal and sand, terracotta marking its knot. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A low, continuous sound before it becomes a word. The Murmur is the quietest piece in the collection: soft taupe and sand forms drifting beneath a thin outline, with one terracotta note breaking the hush. Part of the Before Language collection: quiet, considered wall art designed to be lived with,
Japandi
A small space made for something precious. Taaq (The Alcove) renders the recessed niche found in Mughal interiors, terracotta sitting quietly within soft taupe and charcoal. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Light at its last, warmest moment. The Ember pairs deep charcoal with a warm terracotta glow at its centre: the quiet end of a day. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The quality of things as they change. Utsuroi (The Passing) renders a soft gradient of forms mid-transition, charcoal fading into sand, terracotta marking the moment of change. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Beauty in the not-quite-symmetrical. Fukinsei (The Almost) balances charcoal and taupe forms just off-centre, terracotta unbalancing the composition on purpose. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The pause is the point. Ma (The Interval) is built almost entirely from negative space: a single terracotta mark in a field of quiet sand, the collection’s namesake piece. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A full circle sits layered in shifting terracotta and amber, one crescent of warm light falling across a deeper shadowed curve. The form is simple, a single sphere, but the layered shading gives it real depth and weight on the wall. Terracotta and amber carry the whole piece, quiet and warm.
Japandi
Elongated diamonds stack in three neat rows, each one a slightly different warm shade of terracotta and rust against pale cream. The pattern feels textile as much as architectural, closer to a woven rug than a tiled floor. Terracotta and cream carry the whole piece, graphic and warm.
Japandi
Terracotta and navy diamonds alternate in a steady checkerboard across warm cream, each shape given its own soft hand-painted texture. The pattern is simple and confident, the kind of print that works quietly with almost anything around it. Terracotta and navy carry the whole piece, graphic and warm
Japandi
Concentric rings and radiating lines spread out from a small solid centre, all in loose, hand-painted terracotta on warm cream. The pattern reads at once as sun and target and ripple, holding several ideas at once without settling on one. Terracotta and cream carry the whole piece, warm and radiant.
Japandi
A kyusu teapot and its cup stand together mid-pour, split cleanly down the middle between deep indigo and soft cream shadow. A still life built from one gesture.
Japandi
A second, larger crane leans into flight against a deep indigo ground, its sharply folded wing catching the only light in the piece.
Japandi
A second fan is caught close, its pleated spokes filling the frame edge to edge in alternating indigo and pale blue.
Japandi
Nested lacquer bowls stack in soft graduated tones, each rim catching a little more shadow than the one below. A simple still life built entirely from repeated curves.
Japandi
A single crane, folded from pale paper, lifts off the top half of an indigo ground and glides into open cream space below.
Japandi
A wooden comb rests half-buried in soft pale dunes, its teeth catching the only shadow beneath a flat indigo sky.
Japandi
A flat ring intersects a single straight line, like a hoop threaded cleanly onto a rod. Plum and warm cream carry the whole piece, spare and exact.
Japandi
A staircase of rectangles, each shorter and narrower than the last, climbing steadily across the canvas. Burgundy and warm cream carry the whole piece, confident and full of forward motion.
Japandi
A wide crescent, balanced improbably on its point, held there by nothing but composition and nerve. Plum and warm cream carry the whole piece, quiet and unexpectedly bold.
Japandi
Thin vertical bars rise and fall in uneven heights, with no labels or axis: just rhythm for its own sake. Plum and warm cream carry the whole piece, measured and alive.
Japandi
Dashes lengthen steadily from left to right, building like a visual crescendo across the canvas. Plum and warm cream carry the whole piece, building and confident.
Japandi
A shrine gate is reduced to two simple indigo forms leaning together: a tall post and a low crossbeam, floating on plain cream. Nothing more is needed to read as a torii.
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
Cream, ivory and off-white prints keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start.
For a soft, layered wall, combine cream prints with taupe and beige or sage. See our minimalist prints and Japandi wall art for more light tones, and try them in a living room or bedroom.
Cream prints make small rooms feel bigger and dark rooms feel brighter. They suit renters and first homes, and they sit happily beside any bolder print you add later.
Keep exploring
Shop by colour Taupe & beige Charcoal & black Minimalist Living room
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