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Prints with cream, ivory or off-white in the artwork. Light, airy prints to keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start a gallery wall.
Prints
257
Goes with
Plum, navy, charcoal
Mostly in
Japandi, Figure
Showing 25–43 of 43 results
Figure
Two faces meet in profile, one rendered in deep burgundy shadow, the other softened to dusty rose, overlapping like an echo of the same quiet thought. The double-exposure effect gives the piece a contemplative, layered stillness against warm ivory. A refined, moody statement for above a bed or readi
Figure
Limbs and torsos fold into one another in soft, flowing shapes, painted in layered dusty rose and burgundy that blur the line between figure and gesture. The forms feel almost sculptural, caught mid-movement against warm ivory. An abstract, sensuous piece for a living room or gallery wall grouping.
Figure
Two figures wrap around each other in a close embrace, maroon and cream knitwear against faded blue denim and a dusty pink wall. The brushwork is warm and unhurried, capturing the quiet weight of a long hug rather than a fleeting moment. A tender, painterly piece about closeness, in burgundy, cream
Figure
An arm extends down through banded waves of terracotta and warm pink, fingers relaxed mid-gesture. The layered, horizon-like background gives the hand a sense of floating weightlessness, painted with loose, confident brushwork. A warm, graphic print that anchors a living room or gallery wall with mo
Figure
Two hands meet and intertwine across soft, rumpled linen, painted with warm, tender brushwork against a deep aubergine ground. The gesture is small but full of feeling, a quiet moment of closeness rather than spectacle. An intimate, romantic piece suited to a bedroom wall.
Figure
Cropped close, this portrait lingers on lips, jaw and the curve of a neck wrapped in deep oxblood, with a single twisted cord drawn down the centre. The framing is intimate and a little enigmatic, rendered in warm, painterly strokes. A striking focal piece for a bedroom or reading corner.
Figure
A single leg strides forward in dark trousers and a heeled shoe, its long shadow stretching across warm cream. Cropped and confident, it is painted with loose, textural strokes that favour mood over detail. A sleek, editorial piece for a fashion-minded wall.
Figure
Cropped just below the knee, this piece is all about the details: a pair of glossy pink block heels planted on a floor striped in rust and cream. Warm terracotta trousers pool at the ankle, and the palette stays rich and confident throughout. A playful, fashion-forward moment for a hallway or dress
Figure
A lone figure walks a warm sandy shore, their footprints trailing back across the beach beneath dramatic cliffs in burnt sienna and charcoal. Loose, painterly strokes capture the hush of an empty coastline at low tide. A meditative, earthy landscape for a living room or hallway wall.
Figure
A woman turns inward, chin low, wrapped in an oversized mauve and cream collar that swallows the frame. The palette sits between dusty violet and warm ivory, painted with slow, deliberate brushwork. A quietly editorial portrait for a wall that likes to hold its own.
Figure
A lone figure stands at the edge of pale dunes, facing a vast cloud that fills the sky in dusty rose and lavender. The scale is quiet and a little wistful, painted with soft, weathered brushwork across a warm terracotta ground. A contemplative piece for a space that wants room to breathe.
Figure
A single chair rendered in soft brushstrokes, quietly composed against a wall of deep terracotta and burnt sienna. Warm ivory floorboards ground the scene, giving the whole piece an air of stillness and unhurried pause. Painted with visible, gestural strokes, it brings a grounded, painterly warmth t
Figure
A man pauses at an open door, robe loose, feet bare on a black and white checkerboard floor bathed in soft lilac light. The scene feels caught between rooms, between moments, painted with a gentle, unhurried hand. A quietly cinematic print for a hallway, study, or gallery arrangement.
Figure
Three sun hats layer close together, their stripes in terracotta, dusty lavender, and crisp black-and-cream weaving into one warm, textured composition. It is a quiet study in pattern and proximity, painted with the same loose gouache hand as the rest of the collection. Terracotta and soft mauve kee
Figure
A striped umbrella in dusty rose and cream shelters against a deep, stormy green ground, its burnt sienna handle curling below like a comma. Rain falls in soft diagonal strokes, giving the piece a hushed, weathered calm. The contrast of warm rose against deep charcoal-green makes it a quietly dramat
Figure
A spiral unfurls in bands of burnt sienna and cream, coiling inward toward a small dark centre like a shell, an ear, or a body curled into rest. The rhythm of the brushwork gives the piece real motion, radiating outward in confident, painterly strokes. Warm and hypnotic, it offers a quieter, more ab
Figure
A single umbrella opens in soft stripes of blush, dusty pink, and burgundy, rain falling in loose painterly streaks against warm ivory. There is something tender and unhurried about it, a small shelter rendered with real warmth. Dusty rose and blush carry the whole piece.
Figure
Seen from behind, a man in a white cap and an oversized burgundy and cream jacket stands with his weight settled, unbothered by the gaze. The colour-blocked jacket is rendered in broad, confident strokes, giving the piece a relaxed, contemporary energy. Warm burgundy against soft cream keeps the moo
Figure
A figure strolls away in loose red and white stripes, straw hat and tote in hand, set against a bold field of warm terracotta. The pose is easy and unhurried, painted with the relaxed confidence of a slow summer afternoon. A vibrant, sun-warmed piece full of movement and colour.
Showing 43 of 43 prints
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
Cream, ivory and off-white prints keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start.
For a soft, layered wall, combine cream prints with taupe and beige or sage. See our minimalist prints and Japandi wall art for more light tones, and try them in a living room or bedroom.
Cream prints make small rooms feel bigger and dark rooms feel brighter. They suit renters and first homes, and they sit happily beside any bolder print you add later.
Keep exploring
Shop by colour Taupe & beige Charcoal & black Minimalist Living room
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