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Framing for gallery walls

Matching or mixed frames, mounts or no mounts: how framing changes the look of a gallery wall.

By the Elyra House studio, 5 minute read

The Moroccan Salon: 8 prints in a living room

Two walls with the same prints can look completely different depending on the frames. The frames decide whether a gallery wall feels calm, eclectic or somewhere in between.

1. Mixed frames for a collected look

The Moroccan Salon, shown at the top of this page, hangs eight warm prints in a loose salon. Mixing frame sizes and keeping the colours close gives the wall a collected, built-over-time feel. If you mix finishes, limit yourself to two, such as oak and black.

The Moroccan Salon: eight prints in a loose salon.

2. Matching frames for a calm wall

When the prints are busy, keep the frames simple and identical. The Green Botanical Wall hangs eight leafy prints in matching frames above a sideboard, so the eye reads the plants, not the frames.

The Green Botanical Wall: 8 prints in a living room

The Green Botanical Wall: eight prints in matching frames.

Studio tip

A white mount around a small print makes it look bigger and more finished, and it helps prints of different sizes sit together in one wall.

3. Let the wall colour lead

On a coloured wall, frames matter even more. The Architecture Salon hangs seven prints above a shelf in frames that echo the warm wood in the room, so the art, the furniture and the wall feel like one scheme.

The Architecture Salon: 7 prints in a living room

The Architecture Salon: seven prints above a shelf.

Choosing a finish

Oak warms up neutral rooms, black sharpens bold prints, and white disappears on pale walls. Not sure which to choose? Read how to frame wall art for a fuller guide.

Try different frame layouts on a photo of your wall with the Gallery Wall Builder.

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