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The hallway is the first wall guests see, so make it count. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Pick bold shapes and strong colour so the print reads at a glance as people pass.
Prints
321
Best size
One 42 × 59 cm or 30 × 42 cm
Collections
5
Showing 1–24 of 321 results
Best sellerAnimals
A zebra pauses mid-stride, its stripes rendered in warm ochre and ink: a quiet study in pattern and presence.
This piece began with the rhythm of a zebra’s stripes, how they compress and stretch around a moving body, captured here mid-stride, as if caught wandering between two thoughts.
Every pie
Best sellerAnimals
A whale’s tail lifts once before the deep takes it: a single warm silhouette against a darkening sea.
It started with a single reference image of a whale’s tail lifting just before a dive: that one suspended moment became the whole composition, the rest of the ocean left to the imagination.
Every
NewJapandi
Stillness, suspended. Jhoola (The Swing) traces the gentle curve of a courtyard swing in soft charcoal and sand, terracotta marking its resting point. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerAnimals
Stripe folds into stripe until the zebra becomes pure rhythm: pattern without a body to hold it.
NewJapandi
The formal gateway, framed in quiet geometry. Pishtaq (The Portal) renders the raised archway entrance found across Mughal facades, in warm neutral tones with a terracotta accent. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerFigure
A woman in profile, blunt bob framing flushed cheeks and a considered gaze, stands before a painted window of lilac and cream. Layered mauve and rosewood tones give the piece an editorial, almost cinematic hush. Painted with visible brush texture, it brings quiet drama to a hallway or gallery wall.
NewJapandi
Each step, a small rise. Zeena (The Steps) stacks charcoal and sand forms like a staircase climbing toward light, terracotta marking the top step. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
A single point of light, falling. The Drop is the most minimal piece in the collection: one terracotta dot suspended in soft sand and taupe forms, caught mid-descent. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerArchitectural
Four sails cross low against a warm terracotta sky, their striped fabric catching light in bands of cream and rust. The tower beneath is split cleanly into cream and charcoal, solid and unmoving beneath all that motion above. Terracotta and charcoal carry the whole piece, rustic and sun-warmed.
Best sellerJapandi
A single rake drags a wide arc through pale sand, each pass leaving a fine ribbed line behind it. The gesture of the rake is the whole subject: a quiet record of one deliberate motion.
NewJapandi
Light, held in motion. The Orbit traces a slow circular path in charcoal and taupe around a single terracotta point: quiet celestial geometry. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerJapandi
One flat arc spans the full width of the canvas, unbroken, like a low horizon seen from very far away. Plum and warm cream carry the whole piece, calm and wide open.
Best sellerJapandi
A teardrop mirrored against itself forms a symmetrical almond, the seam between the two halves left visible on purpose. Plum and warm cream carry the whole piece, quiet and exact.
NewJapandi
The moment before full light. The Dawn renders a soft, glowing composition in sand and taupe, terracotta standing in for the first true colour of the day. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerJapandi
A grid of circles shifts every other row by half a unit, settling into a brick-like, offset rhythm. Plum and warm cream carry the whole piece, steady and considered.
NewJapandi
Land, lifting. The Rise is the most upward-reaching piece in the collection: a column of stacked sand and charcoal forms climbing toward a single terracotta dot. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
The blank space that gives the rest of the room to breathe. Yohaku (The Margin) frames a small charcoal and terracotta form within generous open space. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
NewArchitectural
Structure, stripped back to its essence. The Column stands as a single vertical form in charcoal against soft sand, terracotta marking its base: quiet architecture for a quiet room. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
Colour, softening with time. The Fade moves from deep charcoal into pale sand across the page, terracotta the last mark to hold its full colour. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The lines that come from a life well-lived. The Crease renders soft folded forms in taupe and charcoal, terracotta settling into the fold. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
Balance, held in layers. The Stack arranges rounded charcoal, taupe and sand forms one above the other, terracotta settling the composition. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Animals
Two necks bend into a single shape: swans, and the old promise they’re said to keep.
Animals
A shoal turns as one, gold and black circling a single still point: the ocean’s own kind of order.
Coastal
Concentric scallop ridges radiate outward from a single point, a fan shell’s structure blown up into a full study of rhythm and repetition.
Sizing by wall
Console 100 cm
Hallway
One 42 × 59 cm or 30 × 42 cm in portrait, at eye level
Desk 120 cm
Desk or shelf
21 × 30 cm or 30 × 42 cm, leaning or hung low
Not sure what fits?
Try prints on a photo of your own wall
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The hallway is the first wall guests see. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Bold shapes and strong colour read at a glance as people pass.
Architectural prints and figurative wall art both suit a hallway. For colour, try mustard and ochre or charcoal and black. Our gallery wall sets help you plan a row of prints along a corridor.
In a narrow hallway, keep frames slim and sizes modest so they do not crowd the space. 21 × 30 cm and 30 × 42 cm prints in a vertical line work well beside a door, and a staircase suits a stepped row of prints rising with the stairs.
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