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Shape and rhythm as the subject. Our abstract prints use bold forms and a warm palette of cream, plum and terracotta to bring energy to a wall. They sit well in bedrooms, living rooms and hallways, and pair easily with each other in a gallery wall.
Prints
119
Colours
Cream, plum, terracotta
Works in
Bedroom, living room, hallway
Showing 1–24 of 66 results
NewJapandi
Stillness, suspended. Jhoola (The Swing) traces the gentle curve of a courtyard swing in soft charcoal and sand, terracotta marking its resting point. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
Each step, a small rise. Zeena (The Steps) stacks charcoal and sand forms like a staircase climbing toward light, terracotta marking the top step. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerJapandi
One flat arc spans the full width of the canvas, unbroken, like a low horizon seen from very far away. Plum and warm cream carry the whole piece, calm and wide open.
Best sellerJapandi
A teardrop mirrored against itself forms a symmetrical almond, the seam between the two halves left visible on purpose. Plum and warm cream carry the whole piece, quiet and exact.
NewJapandi
Colour, softening with time. The Fade moves from deep charcoal into pale sand across the page, terracotta the last mark to hold its full colour. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Motion, caught mid-circle. The Stir traces a slow spiral through warm charcoal and taupe tones, terracotta at the centre of the turn. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The smallest unit of a meal. The Grain scatters small charcoal and sand forms across the page, terracotta the single grain that stands out. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A pinwheel-shaped void is cut clean from an otherwise solid field of plum, the negative space doing all the talking. Plum and warm cream carry the whole piece, spare and confident.
Japandi
The parts of the day that repeat, and are better for it. The Ritual arranges balanced, symmetrical forms in charcoal and sand, terracotta marking the centre. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Too much, and glad of it. The Spill lets soft terracotta and sand forms run past their edges: abundance rendered gently. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Small triangles arrange themselves into one large triangle, a fractal echo of the whole held inside its own shape. Plum and warm cream carry the whole piece, orderly and self-similar.
Japandi
A flat oval is sliced through by three thin parallel lines, reading like a cross-section of an egg. Plum and warm cream carry the whole piece, clean and exact.
Japandi
A single form, turned inward on itself. The Coil traces a slow spiral in muted charcoal and sand, the kind of shape a hand makes without thinking: instinctive and self-contained, grounded by one terracotta dot. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
The line a hand leaves after the hand is gone. The Trace is built from thin, overlapping outlines in charcoal and taupe: a record of movement rather than a picture of a thing, quiet evidence, not illustration. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
Before words, there were shapes. The Gathering pulls together soft, overlapping forms in charcoal, taupe and a single terracotta dot: a cluster of quiet presences, close but distinct, like stones settled by a tide. Part of the Before Language collection: quiet, considered wall art designed to be l
Japandi
A low, continuous sound before it becomes a word. The Murmur is the quietest piece in the collection: soft taupe and sand forms drifting beneath a thin outline, with one terracotta note breaking the hush. Part of the Before Language collection: quiet, considered wall art designed to be lived with,
Japandi
A small space made for something precious. Taaq (The Alcove) renders the recessed niche found in Mughal interiors, terracotta sitting quietly within soft taupe and charcoal. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A threshold worth pausing at. Darwaza (The Doors) frames a grand entryway in charcoal and sand, terracotta detailing the centre seam. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The open heart of the house. Sehan (The Courtyard) captures the quiet, symmetrical calm of a Mughal inner courtyard in soft taupe and charcoal, terracotta marking its centre. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A concentric arch rises in loose, hand-painted bands of terracotta, each ring separated by a thin ribbon of bare paper. It settles onto a dark navy ground at its base, grounding all that warmth in something steadier. Terracotta and navy carry the whole piece, playful and hand-felt.
Japandi
A full circle sits layered in shifting terracotta and amber, one crescent of warm light falling across a deeper shadowed curve. The form is simple, a single sphere, but the layered shading gives it real depth and weight on the wall. Terracotta and amber carry the whole piece, quiet and warm.
Japandi
Vertical ribbons of terracotta, rust, and charcoal move down the canvas in a slow, deliberate curve, each stripe a little different in width and weight. The effect is closer to a current than a pattern: something moving rather than repeating. Terracotta and charcoal carry the whole piece, fluid and
Japandi
Elongated diamonds stack in three neat rows, each one a slightly different warm shade of terracotta and rust against pale cream. The pattern feels textile as much as architectural, closer to a woven rug than a tiled floor. Terracotta and cream carry the whole piece, graphic and warm.
Japandi
A single standing stone breaks into dozens of flat facets, terracotta and navy planes catching light from opposite sides. There’s no setting to place it in: just the rock itself, weighty and self-contained against a bare ground. Terracotta and navy carry the whole piece, sculptural and still.
Styled at home
Abstract above the daybed
Prints from £4.99
Styling notes
Frames
Oak warms terracotta and plum. Black sharpens graphic pieces.
Pairing
Combine two abstracts that share one colour.
Placement
Go big: one 59 × 84 cm above a sofa or bed does more than three small prints.
Best on
Warm white, plaster pink walls, framed in natural oak.
Try abstract prints on a photo of your own wall at true size.
Abstract wall art uses shape and rhythm as the subject. Our abstract prints keep to bold forms and a warm palette of cream, plum and terracotta, with nothing to recognise and plenty to look at.
They bring energy to a living room or bedroom, and pair easily with each other. For a softer look see minimalist prints, and for colour try burgundy and plum. Mix abstracts with a figure print in one of our gallery wall sets.
Abstract prints are flexible on size. One large 59 × 84 cm print makes a confident focal point, while a cluster of smaller abstracts in matching frames creates rhythm across a wide wall. Black wood frames sharpen the shapes.
Keep exploring
Shop by style Minimalist Line Art Living room Burgundy & plum
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