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Shape and rhythm as the subject. Our abstract prints use bold forms and a warm palette of cream, plum and terracotta to bring energy to a wall. They sit well in bedrooms, living rooms and hallways, and pair easily with each other in a gallery wall.
Prints
119
Colours
Cream, plum, terracotta
Works in
Bedroom, living room, hallway
Showing 25–48 of 66 results
Japandi
Two faceted stone forms stand side by side, one warm in terracotta and sand, the other cool in navy and slate. They lean together at the shoulder like old companions, each built from the same flat, sculpted planes. Terracotta and navy carry the whole piece, balanced and quiet.
Japandi
Terracotta and navy diamonds alternate in a steady checkerboard across warm cream, each shape given its own soft hand-painted texture. The pattern is simple and confident, the kind of print that works quietly with almost anything around it. Terracotta and navy carry the whole piece, graphic and warm
Japandi
Concentric rings and radiating lines spread out from a small solid centre, all in loose, hand-painted terracotta on warm cream. The pattern reads at once as sun and target and ripple, holding several ideas at once without settling on one. Terracotta and cream carry the whole piece, warm and radiant.
Japandi
A flat ring intersects a single straight line, like a hoop threaded cleanly onto a rod. Plum and warm cream carry the whole piece, spare and exact.
Japandi
A staircase of rectangles, each shorter and narrower than the last, climbing steadily across the canvas. Burgundy and warm cream carry the whole piece, confident and full of forward motion.
Japandi
A wide crescent, balanced improbably on its point, held there by nothing but composition and nerve. Plum and warm cream carry the whole piece, quiet and unexpectedly bold.
Japandi
Thin vertical bars rise and fall in uneven heights, with no labels or axis: just rhythm for its own sake. Plum and warm cream carry the whole piece, measured and alive.
Japandi
Dashes lengthen steadily from left to right, building like a visual crescendo across the canvas. Plum and warm cream carry the whole piece, building and confident.
Japandi
A shrine gate is reduced to two simple indigo forms leaning together: a tall post and a low crossbeam, floating on plain cream. Nothing more is needed to read as a torii.
Japandi
A grid of nine squares, and only one answers in solid colour: the rest left as thin outline, waiting. Burgundy and warm cream carry the whole piece, orderly and quietly deliberate.
Japandi
Stacked semicircles alternate direction to form one continuous, rolling ribbon across the canvas. Plum and warm cream carry the whole piece, rhythmic and easy.
Japandi
Two circles overlap, and where they meet a third, darker shape appears: deeper and denser, entirely its own. Plum and near-black charcoal carry the whole piece, moody and layered.
Japandi
A tall triangle rises until its apex is cropped clean off by the top edge of the canvas. Plum and warm cream carry the whole piece, bold and deliberately unfinished.
Japandi
Concentric squares rotate a few degrees from one another, catching the eye in a subtle, almost optical shimmer. Plum and warm cream carry the whole piece, precise and quietly restless.
Japandi
Four triangles pinwheel around a shared centre, each one a distinct shade of the same plum family. Plum and warm cream carry the whole piece, spirited and in motion.
Japandi
Dots scatter in a loose gradient of size, largest in one corner and thinning to almost nothing in the other. Plum and warm cream carry the whole piece, light and drifting.
Japandi
A single arch, cut clean from a field of rich plum, its curve holding the quiet weight of the space beneath it: the true subject is what’s left open, not what’s filled. Plum and warm cream carry the whole piece, restrained and confident.
Japandi
A large diamond sits slightly off-axis, casting what reads as the implied shadow of a second diamond behind it. Plum and charcoal carry the whole piece, moody and layered.
Japandi
One boomerang shape repeats at three different scales, each nested just inside the last. Plum and warm cream carry the whole piece, playful and in motion.
Japandi
A branch forks and re-forks in close-up, rendered as pure negative space cut from a single flat wash of indigo.
Japandi
A perfect circle with a smaller circle taken clean out of its edge, like a bite out of a coin. Plum and warm cream carry the whole piece, playful and exact.
Japandi
A flat plum circle sits right at the canvas edge, half held, half already gone. Plum and warm cream carry the whole piece, quiet and slightly off-balance.
Japandi
A hexagon sends three of its six sides out as long spokes, reaching all the way to the canvas edge. Plum and warm cream carry the whole piece, structural and direct.
Japandi
A crescent moon doubles and mirrors against itself, closing into the shape of a lens. Plum and warm cream carry the whole piece, quiet and optical.
Styled at home
Abstract above the daybed
Prints from £4.99
Styling notes
Frames
Oak warms terracotta and plum. Black sharpens graphic pieces.
Pairing
Combine two abstracts that share one colour.
Placement
Go big: one 59 × 84 cm above a sofa or bed does more than three small prints.
Best on
Warm white, plaster pink walls, framed in natural oak.
Try abstract prints on a photo of your own wall at true size.
Abstract wall art uses shape and rhythm as the subject. Our abstract prints keep to bold forms and a warm palette of cream, plum and terracotta, with nothing to recognise and plenty to look at.
They bring energy to a living room or bedroom, and pair easily with each other. For a softer look see minimalist prints, and for colour try burgundy and plum. Mix abstracts with a figure print in one of our gallery wall sets.
Abstract prints are flexible on size. One large 59 × 84 cm print makes a confident focal point, while a cluster of smaller abstracts in matching frames creates rhythm across a wide wall. Black wood frames sharpen the shapes.
Keep exploring
Shop by style Minimalist Line Art Living room Burgundy & plum
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