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Calm, restful prints for the wall above the bed. Soft neutrals, gentle figures and quiet botanicals set a slower pace at the end of the day. A matched pair in 30 × 42 cm or two 42 × 59 cm prints fits most double beds and keeps the wall balanced.
Prints
323
Above a bed
A pair of A2s
Collections
4
Showing 25–48 of 155 results
Japandi
The stroke that joins one letter to the next. The Ligature traces a single connected line through charcoal and taupe, terracotta settling at its curve. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
What breaks can become more beautiful for having been repaired. Kintsugi (The Mend) traces a golden-terracotta seam through a fractured charcoal form: visible repair, made art. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Coming back, changed. The Return traces a soft looping form back to where it started, terracotta marking the point of arrival. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Every year, another ring. The Rings layers concentric charcoal and sand forms around a single terracotta centre: growth made visible. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Being carried, gently. The Held nests one soft charcoal form inside another in taupe and sand, terracotta marking the point of contact. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Something made to hold and to share. The Bowl renders a simple rounded vessel in warm taupe and charcoal, terracotta resting inside it: the collection’s namesake piece. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The smallest unit of a meal. The Grain scatters small charcoal and sand forms across the page, terracotta the single grain that stands out. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Everything laid out, ready to share. The Spread arranges several soft forms across the page like dishes on a table, terracotta the centrepiece. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
What bends and doesn’t break. The Bough traces a single curved form across sand and charcoal, terracotta settling like the last leaf of the season. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Everything that’s still to come, held in one small form. The Seed centres a single terracotta shape within soft charcoal and sand: the quietest, most hopeful piece in the collection. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A pinwheel-shaped void is cut clean from an otherwise solid field of plum, the negative space doing all the talking. Plum and warm cream carry the whole piece, spare and confident.
Japandi
The parts of the day that repeat, and are better for it. The Ritual arranges balanced, symmetrical forms in charcoal and sand, terracotta marking the centre. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
One arrow forms from three stacked chevrons, each narrower than the last, pointing with quiet insistence. Plum and warm cream carry the whole piece, direct and confident.
Japandi
Too much, and glad of it. The Spill lets soft terracotta and sand forms run past their edges: abundance rendered gently. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Small triangles arrange themselves into one large triangle, a fractal echo of the whole held inside its own shape. Plum and warm cream carry the whole piece, orderly and self-similar.
Japandi
The first meal, the quietest one. The Morning pairs soft sand and taupe forms with a single warm terracotta note. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A flat oval is sliced through by three thin parallel lines, reading like a cross-section of an egg. Plum and warm cream carry the whole piece, clean and exact.
Japandi
A quiet place to set something down. The Altar arranges stacked sand and charcoal forms like an offering, terracotta placed carefully at the top. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Stones, stacked to mark a place worth remembering. The Cairn balances rounded charcoal and taupe forms one on the other, terracotta capping the stack. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The quiet connections that shape a life. En (The Meeting) brings two soft forms together at a single point, terracotta marking where they touch. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A single form, turned inward on itself. The Coil traces a slow spiral in muted charcoal and sand, the kind of shape a hand makes without thinking: instinctive and self-contained, grounded by one terracotta dot. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
The line a hand leaves after the hand is gone. The Trace is built from thin, overlapping outlines in charcoal and taupe: a record of movement rather than a picture of a thing, quiet evidence, not illustration. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
A single thread, part of something larger. The Strand traces a soft looping line through charcoal and sand, terracotta marking its knot. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Before words, there were shapes. The Gathering pulls together soft, overlapping forms in charcoal, taupe and a single terracotta dot: a cluster of quiet presences, close but distinct, like stones settled by a tide. Part of the Before Language collection: quiet, considered wall art designed to be l
Sizing by wall
Double bed 140 cm
Above a bed
A pair of A2s, 5 to 8cm apart
Desk 120 cm
Desk or shelf
21 × 30 cm or 30 × 42 cm, leaning or hung low
Not sure what fits?
Try prints on a photo of your own wall
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Bedroom wall art sets the mood at the end of the day. Soft neutrals, gentle figure prints and quiet botanicals keep the room calm. A matched pair in 30 × 42 cm, or two 42 × 59 cm prints, fits above most double beds.
For a restful palette, browse blush and pink or taupe and beige prints, and see our Japandi wall art for a minimal look. Check the size guide for bed widths, or start from a ready-made gallery wall set.
Above a bed, keep the art narrower than the headboard and hang it 20 to 30cm above the top. Soft tones and simple shapes help the room feel restful. For a pair, choose two prints from the same collection so the colours match.
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