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Calm, restful prints for the wall above the bed. Soft neutrals, gentle figures and quiet botanicals set a slower pace at the end of the day. A matched pair in 30 × 42 cm or two 42 × 59 cm prints fits most double beds and keeps the wall balanced.
Prints
323
Above a bed
A pair of A2s
Collections
4
Showing 25–48 of 323 results
Figure
A single figure in cream stands between towering cliffs of burgundy and near-black, their reflection tracing a mirror image in the still water below. Painted in broad, confident strokes, the scene feels both vast and hushed. A serene, earthy landscape for a living room or reading nook.
Coastal
A corked bottle rides the crest of a dark wave, cork sealed, message inside. A small story of something adrift, told in a single frame.
Japandi
Time, laid down in layers. The Strata stacks soft horizontal bands of taupe, sand and charcoal, terracotta marking one particular moment. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A simple dark green arch sits inside a paler green outline against warm cream: architecture reduced to its plainest, most restful shape.
Figure
Folded jumpers in oxblood, cream and near-black rest on a blush pink chair, painted with the same loose warmth as a lived-in room. The colour story leans soft and cocooning, ideal for anyone drawn to slow mornings and textured knits. A gentle still life for a bedroom or reading nook that wants warmt
Coastal
An upturned rowboat rests on the beach beside open water, its striped hull the only colour against a soft sky. A quieter, off-duty companion to the dinghy piece.
Japandi
Motion, caught mid-circle. The Stir traces a slow spiral through warm charcoal and taupe tones, terracotta at the centre of the turn. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A small, unassuming shrub sits in a terracotta-toned pot, kept modest in scale: the kind of plant you’d actually have on a side table.
Botanical
A single monstera leaf fills almost the entire page, its split lobes rendered in two flat tones of green that shift like light falling across the surface.
Figure
A close, cropped view of legs mid-stride, chunky terracotta boots grounding a soft cream trouser leg. The everyday gesture of walking becomes something considered here, painted in loose, confident strokes. Warm and matter-of-fact, it brings a quiet sense of movement to a room.
Coastal
A crab scuttles sideways across the frame, its shell and claws built from confident layered teal. Playful without losing the collection’s painterly restraint.
Japandi
The breath between one word and the next. The Pause is the quietest piece in the collection: a single terracotta mark suspended in soft, open space. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
Nine small glass jars, each holding a different seedling, are arranged in a neat grid like a windowsill herb collection labelled and lined up.
Botanical
An ornate glass dome catches the light on every ribbed panel, holding nothing but a single small golden object resting on the floor beneath it.
Figure
A dancer arches back, arms raised overhead in a single gestural sweep of dusty rose and black. The pose is loose and confident, painted with visible brushwork that keeps the movement alive on the wall. Warm and quietly powerful, this piece suits a living room or studio that wants a sense of motion.
Coastal
A pale sun hangs low over banded waves, the whole scene pared back to a circle and a few soft horizontal bands. Minimalist, meditative, sea-facing.
Japandi
Where the ground quietly gives way. The Fault renders a single fracture line through layered taupe and charcoal forms, terracotta marking the point of separation. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
Heart-shaped leaves cascade down the page in an unbroken trail, exactly the way a pothos vine spills over the edge of a high shelf.
Botanical
A monstera sits in a striped ceramic pot inside a painted arched niche, framed the way you might display a favourite houseplant on a windowsill.
Figure
A single stride caught in white sneakers and ribbed socks, set against a deep burgundy ground that makes the warm skin tones sing. There is a casual, street-worn energy to the pose, loose and unposed, painted with the same gestural brush as the rest of the collection. Rich burgundy and warm cream ca
Coastal
An oyster shell opens to reveal a single pale pearl at its centre, its ridged layers built in stacked shades of teal and cream.
Japandi
Slow accumulation, made visible. The Formation stacks rounded charcoal and taupe shapes like sediment settling over time, terracotta marking the newest layer. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A single eucalyptus branch leans quietly across the page, its leaves painted loosely enough that you can still see the brush move.
Botanical
Clusters of dark berries hang beneath deep green leaves, the whole branch curving gently as though caught mid-sway.
Sizing by wall
Double bed 140 cm
Above a bed
A pair of A2s, 5 to 8cm apart
Desk 120 cm
Desk or shelf
21 × 30 cm or 30 × 42 cm, leaning or hung low
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Bedroom wall art sets the mood at the end of the day. Soft neutrals, gentle figure prints and quiet botanicals keep the room calm. A matched pair in 30 × 42 cm, or two 42 × 59 cm prints, fits above most double beds.
For a restful palette, browse blush and pink or taupe and beige prints, and see our Japandi wall art for a minimal look. Check the size guide for bed widths, or start from a ready-made gallery wall set.
Above a bed, keep the art narrower than the headboard and hang it 20 to 30cm above the top. Soft tones and simple shapes help the room feel restful. For a pair, choose two prints from the same collection so the colours match.
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