Home / Collections / Japandi & Wabi Sabi
Collection
Calm walls start here. Our Japandi and wabi sabi prints keep things simple: arches, circles and soft shapes in cream, taupe and charcoal, with a touch of terracotta. Hang one above a bed for a quiet focal point, or pair two or three for a gentle gallery wall.
Prints
155
Sizes
21 × 30 to 59 × 84 cm
Digital download
£4.99
Showing 25–48 of 155 results
Japandi
The stroke that joins one letter to the next. The Ligature traces a single connected line through charcoal and taupe, terracotta settling at its curve. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
What breaks can become more beautiful for having been repaired. Kintsugi (The Mend) traces a golden-terracotta seam through a fractured charcoal form: visible repair, made art. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Coming back, changed. The Return traces a soft looping form back to where it started, terracotta marking the point of arrival. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Every year, another ring. The Rings layers concentric charcoal and sand forms around a single terracotta centre: growth made visible. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Being carried, gently. The Held nests one soft charcoal form inside another in taupe and sand, terracotta marking the point of contact. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Something made to hold and to share. The Bowl renders a simple rounded vessel in warm taupe and charcoal, terracotta resting inside it: the collection’s namesake piece. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The smallest unit of a meal. The Grain scatters small charcoal and sand forms across the page, terracotta the single grain that stands out. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Everything laid out, ready to share. The Spread arranges several soft forms across the page like dishes on a table, terracotta the centrepiece. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
What bends and doesn’t break. The Bough traces a single curved form across sand and charcoal, terracotta settling like the last leaf of the season. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Everything that’s still to come, held in one small form. The Seed centres a single terracotta shape within soft charcoal and sand: the quietest, most hopeful piece in the collection. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A pinwheel-shaped void is cut clean from an otherwise solid field of plum, the negative space doing all the talking. Plum and warm cream carry the whole piece, spare and confident.
Japandi
The parts of the day that repeat, and are better for it. The Ritual arranges balanced, symmetrical forms in charcoal and sand, terracotta marking the centre. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
One arrow forms from three stacked chevrons, each narrower than the last, pointing with quiet insistence. Plum and warm cream carry the whole piece, direct and confident.
Japandi
Too much, and glad of it. The Spill lets soft terracotta and sand forms run past their edges: abundance rendered gently. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Small triangles arrange themselves into one large triangle, a fractal echo of the whole held inside its own shape. Plum and warm cream carry the whole piece, orderly and self-similar.
Japandi
The first meal, the quietest one. The Morning pairs soft sand and taupe forms with a single warm terracotta note. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A flat oval is sliced through by three thin parallel lines, reading like a cross-section of an egg. Plum and warm cream carry the whole piece, clean and exact.
Japandi
A quiet place to set something down. The Altar arranges stacked sand and charcoal forms like an offering, terracotta placed carefully at the top. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Stones, stacked to mark a place worth remembering. The Cairn balances rounded charcoal and taupe forms one on the other, terracotta capping the stack. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The quiet connections that shape a life. En (The Meeting) brings two soft forms together at a single point, terracotta marking where they touch. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A single form, turned inward on itself. The Coil traces a slow spiral in muted charcoal and sand, the kind of shape a hand makes without thinking: instinctive and self-contained, grounded by one terracotta dot. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
The line a hand leaves after the hand is gone. The Trace is built from thin, overlapping outlines in charcoal and taupe: a record of movement rather than a picture of a thing, quiet evidence, not illustration. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
A single thread, part of something larger. The Strand traces a soft looping line through charcoal and sand, terracotta marking its knot. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Before words, there were shapes. The Gathering pulls together soft, overlapping forms in charcoal, taupe and a single terracotta dot: a cluster of quiet presences, close but distinct, like stones settled by a tide. Part of the Before Language collection: quiet, considered wall art designed to be l
Gallery wall sets
Ready-made sets of prints, sized and spaced to hang together.
About this collection
Japandi mixes Japanese and Scandinavian design. Plain shapes, natural colours and plenty of empty space.
Wabi sabi is the Japanese idea of beauty in things that are worn or uneven. These prints suit living rooms, bedrooms and hallways.
Sizes
01
21 × 30 to 59 × 84 cm, plus 6 x 8in to 24 x 36in
Finish
02
Framed or unframed, in oak, black or white
Paper
03
Giclée print on 200gsm matte paper
Digital download
04
£4.99, download link by email
Delivery
05
Free UK shipping, 3 to 5 working days
Returns
06
14 days on standard prints
Japandi blends Japanese calm with Scandinavian simplicity. Our Japandi wall art keeps to a few soft shapes, arches, circles and steps, in cream, taupe and charcoal with a single terracotta accent. Wabi sabi adds the beauty of the imperfect: uneven edges, worn tones and plenty of empty space.
These prints suit a calm bedroom or a pared-back living room. For more in the same mood, see our neutral wall art and minimalist prints, or filter by taupe and beige. Two or three Japandi prints in matching oak frames make an easy gallery wall set.
Japandi prints look their best with space around them, so leave a generous margin of wall either side. A single 42 × 59 cm or 59 × 84 cm print above a bed or console makes a quiet statement. Natural oak frames suit the palette, and white wood keeps the look light and airy.
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