Home / Collections / Japandi & Wabi Sabi
Collection
Calm walls start here. Our Japandi and wabi sabi prints keep things simple: arches, circles and soft shapes in cream, taupe and charcoal, with a touch of terracotta. Hang one above a bed for a quiet focal point, or pair two or three for a gentle gallery wall.
Prints
155
Sizes
21 × 30 to 59 × 84 cm
Digital download
£4.99
Showing 49–72 of 155 results
Japandi
A low, continuous sound before it becomes a word. The Murmur is the quietest piece in the collection: soft taupe and sand forms drifting beneath a thin outline, with one terracotta note breaking the hush. Part of the Before Language collection: quiet, considered wall art designed to be lived with,
Japandi
A small space made for something precious. Taaq (The Alcove) renders the recessed niche found in Mughal interiors, terracotta sitting quietly within soft taupe and charcoal. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A threshold worth pausing at. Darwaza (The Doors) frames a grand entryway in charcoal and sand, terracotta detailing the centre seam. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The open heart of the house. Sehan (The Courtyard) captures the quiet, symmetrical calm of a Mughal inner courtyard in soft taupe and charcoal, terracotta marking its centre. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Light at its last, warmest moment. The Ember pairs deep charcoal with a warm terracotta glow at its centre: the quiet end of a day. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The quality of things as they change. Utsuroi (The Passing) renders a soft gradient of forms mid-transition, charcoal fading into sand, terracotta marking the moment of change. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Beauty in the not-quite-symmetrical. Fukinsei (The Almost) balances charcoal and taupe forms just off-centre, terracotta unbalancing the composition on purpose. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The pause is the point. Ma (The Interval) is built almost entirely from negative space: a single terracotta mark in a field of quiet sand, the collection’s namesake piece. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The part that stays solid long after the rest has weathered. The Heartwood centres a dense charcoal form ringed in taupe, terracotta at its core. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A concentric arch rises in loose, hand-painted bands of terracotta, each ring separated by a thin ribbon of bare paper. It settles onto a dark navy ground at its base, grounding all that warmth in something steadier. Terracotta and navy carry the whole piece, playful and hand-felt.
Japandi
A full circle sits layered in shifting terracotta and amber, one crescent of warm light falling across a deeper shadowed curve. The form is simple, a single sphere, but the layered shading gives it real depth and weight on the wall. Terracotta and amber carry the whole piece, quiet and warm.
Japandi
Vertical ribbons of terracotta, rust, and charcoal move down the canvas in a slow, deliberate curve, each stripe a little different in width and weight. The effect is closer to a current than a pattern: something moving rather than repeating. Terracotta and charcoal carry the whole piece, fluid and
Japandi
Elongated diamonds stack in three neat rows, each one a slightly different warm shade of terracotta and rust against pale cream. The pattern feels textile as much as architectural, closer to a woven rug than a tiled floor. Terracotta and cream carry the whole piece, graphic and warm.
Japandi
A single standing stone breaks into dozens of flat facets, terracotta and navy planes catching light from opposite sides. There’s no setting to place it in: just the rock itself, weighty and self-contained against a bare ground. Terracotta and navy carry the whole piece, sculptural and still.
Japandi
Two faceted stone forms stand side by side, one warm in terracotta and sand, the other cool in navy and slate. They lean together at the shoulder like old companions, each built from the same flat, sculpted planes. Terracotta and navy carry the whole piece, balanced and quiet.
Japandi
Terracotta and navy diamonds alternate in a steady checkerboard across warm cream, each shape given its own soft hand-painted texture. The pattern is simple and confident, the kind of print that works quietly with almost anything around it. Terracotta and navy carry the whole piece, graphic and warm
Japandi
A jagged peak rises in faceted terracotta rock beneath a snow-dusted summit, the low sun catching every ridge and fold. The palette stays warm even at altitude: rust and clay rather than cold blue-grey. Terracotta and charcoal carry the whole piece, dramatic and sun-lit.
Japandi
Concentric rings and radiating lines spread out from a small solid centre, all in loose, hand-painted terracotta on warm cream. The pattern reads at once as sun and target and ripple, holding several ideas at once without settling on one. Terracotta and cream carry the whole piece, warm and radiant.
Japandi
A kyusu teapot and its cup stand together mid-pour, split cleanly down the middle between deep indigo and soft cream shadow. A still life built from one gesture.
Japandi
A second, larger crane leans into flight against a deep indigo ground, its sharply folded wing catching the only light in the piece.
Japandi
A second fan is caught close, its pleated spokes filling the frame edge to edge in alternating indigo and pale blue.
Japandi
Nested lacquer bowls stack in soft graduated tones, each rim catching a little more shadow than the one below. A simple still life built entirely from repeated curves.
Japandi
A single crane, folded from pale paper, lifts off the top half of an indigo ground and glides into open cream space below.
Japandi
A wooden comb rests half-buried in soft pale dunes, its teeth catching the only shadow beneath a flat indigo sky.
Gallery wall sets
Ready-made sets of prints, sized and spaced to hang together.
About this collection
Japandi mixes Japanese and Scandinavian design. Plain shapes, natural colours and plenty of empty space.
Wabi sabi is the Japanese idea of beauty in things that are worn or uneven. These prints suit living rooms, bedrooms and hallways.
Sizes
01
21 × 30 to 59 × 84 cm, plus 6 x 8in to 24 x 36in
Finish
02
Framed or unframed, in oak, black or white
Paper
03
Giclée print on 200gsm matte paper
Digital download
04
£4.99, download link by email
Delivery
05
Free UK shipping, 3 to 5 working days
Returns
06
14 days on standard prints
Japandi blends Japanese calm with Scandinavian simplicity. Our Japandi wall art keeps to a few soft shapes, arches, circles and steps, in cream, taupe and charcoal with a single terracotta accent. Wabi sabi adds the beauty of the imperfect: uneven edges, worn tones and plenty of empty space.
These prints suit a calm bedroom or a pared-back living room. For more in the same mood, see our neutral wall art and minimalist prints, or filter by taupe and beige. Two or three Japandi prints in matching oak frames make an easy gallery wall set.
Japandi prints look their best with space around them, so leave a generous margin of wall either side. A single 42 × 59 cm or 59 × 84 cm print above a bed or console makes a quiet statement. Natural oak frames suit the palette, and white wood keeps the look light and airy.
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