Zebra in Mustard
From £16.99Stripe folds into stripe until the zebra becomes pure rhythm: pattern without a body to hold it.
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Shape and rhythm as the subject. Our abstract prints use bold forms and a warm palette of cream, plum and terracotta to bring energy to a wall. They sit well in bedrooms, living rooms and hallways, and pair easily with each other in a gallery wall.
Prints
119
Colours
Cream, plum, terracotta
Works in
Bedroom, living room, hallway
Showing 1–24 of 34 results
Best sellerAnimals
Stripe folds into stripe until the zebra becomes pure rhythm: pattern without a body to hold it.
Best sellerFigure
Bold coral tendrils wrap around a woman in profile like blooming coral or unfurling petals, rendered in confident reds against a soft blush ground. The pattern moves with an almost botanical rhythm, equal parts portrait and abstraction. A striking statement print for a living room that wants colour

Animals
A shoal turns as one, gold and black circling a single still point: the ocean’s own kind of order.

Animals
Stripped to its own outline, a fish becomes the echo of itself: bone, fin, and quiet form.

Figure
Seen from behind, a woman is almost entirely eclipsed by the wide brim of a patterned straw hat, deep oxblood skin and red-striped robe glowing against a soft blush wall. It is a study in shape and shadow as much as portraiture, warm and enigmatic. A bold, painterly piece with real presence.

Figure
A lone figure stands at the water’s edge, facing a burgundy moon suspended over layered mauve mountains and their mirrored reflection. The mood is still and contemplative, painted in soft washes of dusty plum and rose. A quiet, atmospheric piece for anyone drawn to solitude and wide open dusk skies.

Figure
A woman’s silhouette repeats itself in soft layers of blush, rose and burnt orange, each echo slightly softer than the last. It feels rhythmic, almost musical, painted in warm overlapping tones. A striking, textural anchor for a gallery wall.

Figure
A hand rises into frame, fingers curled loosely around a phone rendered in deep brick red, its rounded cream border glowing softly against a warm coral ground. The gesture is casual, almost incidental, the kind of small hold that fills an idle moment, yet the bold, sculptural shapes give it real p

Figure
A woman rests with her eyes closed, one hand drawn softly to her throat as a flock of terracotta birds lifts from her hair into warm, quiet air. Rendered in loose, brushy gouache against a warm ivory ground, the piece holds a stillness that feels both intimate and unguarded. Deep terracotta and soft

Figure
A gathered crowd stands close, faces rendered loosely in oxblood, plum, and warm cream, with soft blush figures rising in the foreground. There is a quiet dignity to the composition, everyone present and equally considered. Warm and layered, it brings a painterly sense of community to a wall.

Animals
A bee walks the geometry of its own hive, gold on gold, entirely at home.

Figure
Two figures lean into one another, her face turned into his shoulder, rendered in bold, sculptural blocks of terracotta and blush. The abstracted shapes behind them read almost like folded fabric or shifting light, giving the embrace a quiet privacy. It is a study in closeness, painted in warm earth

Figure
Soft organic shapes in black and oxblood settle against a warm neutral ground, tied together by a single thin red cord that winds through the composition. The forms feel abstracted from the body itself, quiet and sculptural rather than literal. A subtle, grounding piece for a gallery wall in warm to

Figure
Rendered in deep burgundy and oxblood, this profile portrait sits with eyes closed, wrapped in a cream and black striped fabric that frames the face like a hood. The mood is still and meditative, warm pigment built up in confident painterly layers. A grounding portrait for a quiet corner of the home

Animals
Feather upon feather, radiating outward: the peacock reduced to pure, rhythmic pattern.

Figure
Two faces overlap in a patchwork of mauve, rust and black, abstracted into interlocking planes of colour against a soft blush ground. The effect is bold and painterly, closer to collage than portrait, full of quiet tension between the two forms. A striking anchor for a gallery wall that likes a litt

Figure
A face rests closed-eyed above a swirling violet and cream coat, suspended as if hung from its own hook. The effect is dreamlike, part portrait, part still life, painted in deep aubergine against a warm blush ground. Strange, elegant, and hard to look away from.

Figure
Two overlapping faces share a single neck and shoulder, one in terracotta, one in dusty mauve, split by a band of near-black. It reads like a quiet conversation with oneself, painterly and self-possessed. A striking focal piece for a gallery wall.

Animals
No bee in sight: just the lattice it leaves behind, warm and endlessly repeating.

Figure
Three profiles fold into one another in soft camel, ivory and near-black, a quiet study of likeness and layering. Painted in loose, textured strokes, it reads as a meditation on how faces echo across a family, a room, a lifetime. A warm neutral piece for a gallery wall that wants to feel considered

Figure
A hand tips a cream jug and dark wine spills into a waiting glass, set against bold geometric planes of mauve, blush and black. It is a still, sophisticated moment, part still life and part portrait, painted with the confident flat colour and warm terracotta tones that run through this collection. A

Figure
Eyes closed in quiet reverie, a woman’s neck is wrapped in a sinuous ribbon of terracotta, coiling like a painted vine against warm ivory. The gesture feels both surreal and calm, a moment of stillness rendered in bold, sculptural brushwork. A striking, contemplative piece for a bedroom or reading c

Figure
Two faces meet in profile, one rendered in deep burgundy shadow, the other softened to dusty rose, overlapping like an echo of the same quiet thought. The double-exposure effect gives the piece a contemplative, layered stillness against warm ivory. A refined, moody statement for above a bed or readi

Figure
Limbs and torsos fold into one another in soft, flowing shapes, painted in layered dusty rose and burgundy that blur the line between figure and gesture. The forms feel almost sculptural, caught mid-movement against warm ivory. An abstract, sensuous piece for a living room or gallery wall grouping.
Styled at home
Abstract above the daybed
Prints from £4.99
Styling notes
Frames
Oak warms terracotta and plum. Black sharpens graphic pieces.
Pairing
Combine two abstracts that share one colour.
Placement
Go big: one 59 × 84 cm above a sofa or bed does more than three small prints.
Best on
Warm white, plaster pink walls, framed in natural oak.
Try abstract prints on a photo of your own wall at true size.
Abstract wall art uses shape and rhythm as the subject. Our abstract prints keep to bold forms and a warm palette of cream, plum and terracotta, with nothing to recognise and plenty to look at.
They bring energy to a living room or bedroom, and pair easily with each other. For a softer look see minimalist prints, and for colour try burgundy and plum. Mix abstracts with a figure print in one of our gallery wall sets.
Abstract prints are flexible on size. One large 59 × 84 cm print makes a confident focal point, while a cluster of smaller abstracts in matching frames creates rhythm across a wide wall. Black wood frames sharpen the shapes.
Keep exploring
Shop by style Minimalist Line Art Living room Burgundy & plum
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