436 giclée prints in one place. Abstract shapes, quiet Japandi forms, animals, botanicals and figures, each printed to order on 200gsm matte paper. Choose 21 × 30 to 59 × 84 cm, framed or unframed, or take the file as a digital download from £4.99.
Showing 49–72 of 237 results
Japandi
Every year, another ring. The Rings layers concentric charcoal and sand forms around a single terracotta centre: growth made visible. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A woman rests with her eyes closed, one hand drawn softly to her throat as a flock of terracotta birds lifts from her hair into warm, quiet air. Rendered in loose, brushy gouache against a warm ivory ground, the piece holds a stillness that feels both intimate and unguarded. Deep terracotta and soft
Japandi
Being carried, gently. The Held nests one soft charcoal form inside another in taupe and sand, terracotta marking the point of contact. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A woman stands wrapped in an enormous sweep of fabric, its terracotta and blush pink folds cascading like a painted waterfall around her. Only her face and gathering hand are visible above the drape, giving the piece a quiet sense of ceremony. The gouache texture catches every fold, warm and unhurri
Japandi
Something made to hold and to share. The Bowl renders a simple rounded vessel in warm taupe and charcoal, terracotta resting inside it: the collection’s namesake piece. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A woman turns away in a flowing white gown, its folds catching the light against a warm burnt orange ground and a deep aubergine shadow. The pose is quiet and unhurried, more about the fall of fabric than the reveal of a face. Rich burnt orange and aubergine give the piece real depth and warmth.
Japandi
The smallest unit of a meal. The Grain scatters small charcoal and sand forms across the page, terracotta the single grain that stands out. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A gathered crowd stands close, faces rendered loosely in oxblood, plum, and warm cream, with soft blush figures rising in the foreground. There is a quiet dignity to the composition, everyone present and equally considered. Warm and layered, it brings a painterly sense of community to a wall.
Japandi
Everything laid out, ready to share. The Spread arranges several soft forms across the page like dishes on a table, terracotta the centrepiece. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A quiet stack of folded linens rests on slender stool legs, painted in deep burgundy, warm terracotta and soft cream. Loose gouache strokes catch the fold of each fabric, turning an everyday still life into something almost devotional. A grounding piece for a reading corner or a hallway that wants a
Japandi
What bends and doesn’t break. The Bough traces a single curved form across sand and charcoal, terracotta settling like the last leaf of the season. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
Here the birds gather closer, a dense flock of burnt sienna, black, and warm tan sweeping across her face as she tilts her head back, eyes shut. Her hair is caught in a loose bun with a few strands escaping at the neck, and the painterly brushwork gives the whole scene a sense of quiet motion. Deepe
Japandi
Everything that’s still to come, held in one small form. The Seed centres a single terracotta shape within soft charcoal and sand: the quietest, most hopeful piece in the collection. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A pinwheel-shaped void is cut clean from an otherwise solid field of plum, the negative space doing all the talking. Plum and warm cream carry the whole piece, spare and confident.
Figure
Two figures lean into one another, her face turned into his shoulder, rendered in bold, sculptural blocks of terracotta and blush. The abstracted shapes behind them read almost like folded fabric or shifting light, giving the embrace a quiet privacy. It is a study in closeness, painted in warm earth
Japandi
The parts of the day that repeat, and are better for it. The Ritual arranges balanced, symmetrical forms in charcoal and sand, terracotta marking the centre. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
One arrow forms from three stacked chevrons, each narrower than the last, pointing with quiet insistence. Plum and warm cream carry the whole piece, direct and confident.
Figure
Soft organic shapes in black and oxblood settle against a warm neutral ground, tied together by a single thin red cord that winds through the composition. The forms feel abstracted from the body itself, quiet and sculptural rather than literal. A subtle, grounding piece for a gallery wall in warm to
Japandi
Too much, and glad of it. The Spill lets soft terracotta and sand forms run past their edges: abundance rendered gently. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Small triangles arrange themselves into one large triangle, a fractal echo of the whole held inside its own shape. Plum and warm cream carry the whole piece, orderly and self-similar.
Figure
Rendered in deep burgundy and oxblood, this profile portrait sits with eyes closed, wrapped in a cream and black striped fabric that frames the face like a hood. The mood is still and meditative, warm pigment built up in confident painterly layers. A grounding portrait for a quiet corner of the home
Japandi
The first meal, the quietest one. The Morning pairs soft sand and taupe forms with a single warm terracotta note. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A flat oval is sliced through by three thin parallel lines, reading like a cross-section of an egg. Plum and warm cream carry the whole piece, clean and exact.
Figure
Two faces overlap in a patchwork of mauve, rust and black, abstracted into interlocking planes of colour against a soft blush ground. The effect is bold and painterly, closer to collage than portrait, full of quiet tension between the two forms. A striking anchor for a gallery wall that likes a litt
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