436 giclée prints in one place. Abstract shapes, quiet Japandi forms, animals, botanicals and figures, each printed to order on 200gsm matte paper. Choose 21 × 30 to 59 × 84 cm, framed or unframed, or take the file as a digital download from £4.99.
Showing 49–72 of 124 results
Figure
A gathered crowd stands close, faces rendered loosely in oxblood, plum, and warm cream, with soft blush figures rising in the foreground. There is a quiet dignity to the composition, everyone present and equally considered. Warm and layered, it brings a painterly sense of community to a wall.
Botanical
A saguaro cactus stands tall and slightly lopsided, its arms reaching at different heights, rendered in one confident block of sage green.
Figure
A quiet stack of folded linens rests on slender stool legs, painted in deep burgundy, warm terracotta and soft cream. Loose gouache strokes catch the fold of each fabric, turning an everyday still life into something almost devotional. A grounding piece for a reading corner or a hallway that wants a
Botanical
A slender trunk carries rounded, cloud-like clusters of foliage in soft olive and sage: part bonsai, part imagined topiary, entirely calm.
Figure
Here the birds gather closer, a dense flock of burnt sienna, black, and warm tan sweeping across her face as she tilts her head back, eyes shut. Her hair is caught in a loose bun with a few strands escaping at the neck, and the painterly brushwork gives the whole scene a sense of quiet motion. Deepe
Botanical
Dried grasses and a single seed head stand silhouetted against layers of misty blue-violet mountains fading into the distance.
Figure
Two figures lean into one another, her face turned into his shoulder, rendered in bold, sculptural blocks of terracotta and blush. The abstracted shapes behind them read almost like folded fabric or shifting light, giving the embrace a quiet privacy. It is a study in closeness, painted in warm earth
Botanical
An olive branch dips under the weight of its own fruit, leaves splayed out in two-tone green with a pale stripe running down each blade.
Figure
Soft organic shapes in black and oxblood settle against a warm neutral ground, tied together by a single thin red cord that winds through the composition. The forms feel abstracted from the body itself, quiet and sculptural rather than literal. A subtle, grounding piece for a gallery wall in warm to
Botanical
A bare, forking branch stretches diagonally across pale sage, reduced to its simplest silhouette: no leaves, just structure.
Figure
Rendered in deep burgundy and oxblood, this profile portrait sits with eyes closed, wrapped in a cream and black striped fabric that frames the face like a hood. The mood is still and meditative, warm pigment built up in confident painterly layers. A grounding portrait for a quiet corner of the home
Botanical
A white lotus rests on rippling water inside a wide ceramic bowl, its outline kept simple against a solid sage-green ground.
Figure
Two faces overlap in a patchwork of mauve, rust and black, abstracted into interlocking planes of colour against a soft blush ground. The effect is bold and painterly, closer to collage than portrait, full of quiet tension between the two forms. A striking anchor for a gallery wall that likes a litt
Botanical
A single flower opens into wide, wavy-edged petals, its stem curving down to one corner: more gesture than botanical accuracy.
Figure
Just the ankles down, blush pink trainers planted on a terracotta floor, black socks catching the light. It is a small, unguarded moment rendered with loose, confident brushstrokes. Warm and a little playful, without ever raising its voice.
Botanical
A large split leaf fans out across the page with visible brush texture running down each lobe, catching the light like real foliage.
Figure
A hand rests beside an open laptop, the rest of the figure cropped away into a wash of burnt terracotta. There is something restful about the composition, half work, half daydream. A study in warmth and quiet concentration for a home office or reading corner.
Botanical
A fern frond leans diagonally across a checkerboard of forest green, sage, and cream squares, the plant and the pattern competing for attention.
Figure
An aged hand grips the curve of a wooden cane, sleeve dark against a soft sage ground. Painted with tenderness and restraint, it speaks quietly of time, steadiness and grace. A gentle, contemplative piece for a hallway or reading nook.
Botanical
Long pointed aloe leaves fan out from a striped bowl planter, each leaf a slightly different shade of sage against the pale room behind it.
Figure
A face rests closed-eyed above a swirling violet and cream coat, suspended as if hung from its own hook. The effect is dreamlike, part portrait, part still life, painted in deep aubergine against a warm blush ground. Strange, elegant, and hard to look away from.
Botanical
Three houseplants in mismatched pots (a jade plant, a trailing pothos, a tall fern) stand together on a simple wooden shelf.
Figure
Two overlapping faces share a single neck and shoulder, one in terracotta, one in dusty mauve, split by a band of near-black. It reads like a quiet conversation with oneself, painterly and self-possessed. A striking focal piece for a gallery wall.
Botanical
Rows of pill-shaped dots shift from deep forest to pale sage, reading at a distance like the vein structure of a leaf laid out as a grid.
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