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The hallway is the first wall guests see, so make it count. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Pick bold shapes and strong colour so the print reads at a glance as people pass.
Prints
321
Best size
One 42 × 59 cm or 30 × 42 cm
Collections
5
Showing 25–48 of 321 results
Japandi
Edges that lose their sharpness, and are better for it. The Softening rounds every form in the composition, terracotta the only shape that stays defined. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
What sits in the gap. The Between is built around the space two forms leave for each other: soft taupe and charcoal shapes with room to breathe, terracotta at the centre. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Animals
No bee in sight: just the lattice it leaves behind, warm and endlessly repeating.
Animals
A heron stands motionless in the shallows, patient as the water it watches.
Coastal
A corked bottle rides the crest of a dark wave, cork sealed, message inside. A small story of something adrift, told in a single frame.
Japandi
Time, laid down in layers. The Strata stacks soft horizontal bands of taupe, sand and charcoal, terracotta marking one particular moment. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
The pause before crossing over. The Threshold frames a quiet opening in charcoal and taupe, terracotta marking the point of entry. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Animals
Stripped to its own outline, a fish becomes the echo of itself: bone, fin, and quiet form.
Animals
A bee settles into a single flower, unhurried, doing the quiet work that keeps a garden going.
Coastal
An upturned rowboat rests on the beach beside open water, its striped hull the only colour against a soft sky. A quieter, off-duty companion to the dinghy piece.
Japandi
Motion, caught mid-circle. The Stir traces a slow spiral through warm charcoal and taupe tones, terracotta at the centre of the turn. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A single opening, framed in quiet colour. The Aperture centres a soft, rounded void surrounded by charcoal and sand, terracotta catching the eye at its edge. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Animals
A black cat’s stare fills the frame, gold-eyed and giving nothing away.
Coastal
A crab scuttles sideways across the frame, its shell and claws built from confident layered teal. Playful without losing the collection’s painterly restraint.
Japandi
The breath between one word and the next. The Pause is the quietest piece in the collection: a single terracotta mark suspended in soft, open space. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A fortress gate rises in stepped terracotta and cream, its crenellated battlements catching the last warm light of the day. A deep arched doorway sits low at its base, small against all that stacked stonework above. Terracotta and cream carry the whole piece, monumental and sun-worn.
Animals
A tabby cat sits primly upright, striped and self-possessed as any small throne-holder.
Coastal
A pale sun hangs low over banded waves, the whole scene pared back to a circle and a few soft horizontal bands. Minimalist, meditative, sea-facing.
Japandi
Where the ground quietly gives way. The Fault renders a single fracture line through layered taupe and charcoal forms, terracotta marking the point of separation. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A row of stepped arches climbs across the frame, a full amber sun rising behind them like it’s been caught mid-ascent. The wash of terracotta across the whole scene gives it a sense of heat and distance, ancient and unhurried. Terracotta and amber carry the whole piece, monumental and warm.
Animals
One bee stands in for the whole hive’s quiet, industrious motion.
Coastal
An oyster shell opens to reveal a single pale pearl at its centre, its ridged layers built in stacked shades of teal and cream.
Japandi
Slow accumulation, made visible. The Formation stacks rounded charcoal and taupe shapes like sediment settling over time, terracotta marking the newest layer. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A spiral staircase coils down through the centre of the frame, viewed from directly above so the steps read as pure radiating pattern. Terracotta, cream, and charcoal alternate around the spiral, dizzying and precise. Terracotta and charcoal carry the whole piece, hypnotic and architectural.
Sizing by wall
Console 100 cm
Hallway
One 42 × 59 cm or 30 × 42 cm in portrait, at eye level
Desk 120 cm
Desk or shelf
21 × 30 cm or 30 × 42 cm, leaning or hung low
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The hallway is the first wall guests see. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Bold shapes and strong colour read at a glance as people pass.
Architectural prints and figurative wall art both suit a hallway. For colour, try mustard and ochre or charcoal and black. Our gallery wall sets help you plan a row of prints along a corridor.
In a narrow hallway, keep frames slim and sizes modest so they do not crowd the space. 21 × 30 cm and 30 × 42 cm prints in a vertical line work well beside a door, and a staircase suits a stepped row of prints rising with the stairs.
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