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Calm, restful prints for the wall above the bed. Soft neutrals, gentle figures and quiet botanicals set a slower pace at the end of the day. A matched pair in 30 × 42 cm or two 42 × 59 cm prints fits most double beds and keeps the wall balanced.
Prints
323
Above a bed
A pair of A2s
Collections
4
Showing 25–48 of 236 results
Japandi
The breath between one word and the next. The Pause is the quietest piece in the collection: a single terracotta mark suspended in soft, open space. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A dancer arches back, arms raised overhead in a single gestural sweep of dusty rose and black. The pose is loose and confident, painted with visible brushwork that keeps the movement alive on the wall. Warm and quietly powerful, this piece suits a living room or studio that wants a sense of motion.
Japandi
Where the ground quietly gives way. The Fault renders a single fracture line through layered taupe and charcoal forms, terracotta marking the point of separation. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A single stride caught in white sneakers and ribbed socks, set against a deep burgundy ground that makes the warm skin tones sing. There is a casual, street-worn energy to the pose, loose and unposed, painted with the same gestural brush as the rest of the collection. Rich burgundy and warm cream ca
Japandi
Slow accumulation, made visible. The Formation stacks rounded charcoal and taupe shapes like sediment settling over time, terracotta marking the newest layer. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A single oxblood chair with clean black legs sits alone against a soft blush ground, painted with the same loose, confident brushwork as the rest of the collection. Simple and sculptural, it reads as a quiet study in colour and form as much as furniture. A grounding accent for a reading nook or gall
Japandi
What holds everything else in place, unseen. The Root is a grounded, downward-reaching composition in earthy sand and charcoal, terracotta at its centre: quiet strength. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
Seen from behind, a woman is almost entirely eclipsed by the wide brim of a patterned straw hat, deep oxblood skin and red-striped robe glowing against a soft blush wall. It is a study in shape and shadow as much as portraiture, warm and enigmatic. A bold, painterly piece with real presence.
Figure
A lone figure stands at the water’s edge, facing a burgundy moon suspended over layered mauve mountains and their mirrored reflection. The mood is still and contemplative, painted in soft washes of dusty plum and rose. A quiet, atmospheric piece for anyone drawn to solitude and wide open dusk skies.
Japandi
The shape of land, read from above. The Contour layers soft overlapping forms like elevation lines across taupe and sand, a single terracotta mark breaking the pattern. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
Two figures stand shoulder to shoulder at the water’s edge, striped skirts catching the breeze under a moon rising through dusty pink and mauve clouds. The sea rolls out in soft violet washes, quiet and endless. A calm, romantic beach scene painted for a bedroom or living room wall.
Figure
An open hand, palm turned upward, painted in warm terracotta and deep burgundy against soft ivory. Simple and sculptural, the gesture carries a quiet sense of offering or invitation. A grounded, painterly study that adds calm presence to any wall.
Japandi
A beat, repeated. Hyoshi (The Rhythm) arranges a steady sequence of charcoal and taupe forms across the page, terracotta marking the accent beat. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
Two hands cradle a warm white mug, red-painted nails and cream sleeves set against a textured lavender wall. It is a small, everyday gesture painted with real tenderness, the kind of stillness found in a first coffee of the day. A soft, intimate piece for a kitchen or breakfast nook.
Figure
Cropped at the waist, a figure strides forward in cream and black, a long terracotta shadow trailing behind. The composition is all movement and momentum, painted in bold, confident strokes. A piece that brings quiet energy to any hallway or living space.
Japandi
Where the ink meets the page. The Nib renders a single pointed form in charcoal against soft sand, terracotta marking the point of contact. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A cup of coffee changes hands in close, warm brushstrokes, one hand offering, the other receiving, against a soft mauve wall. It is a small ritual of care rendered with real intimacy and quiet warmth. A tender piece about connection, painted in rich brown and dusty lavender tones.
Figure
Two dancers lean into each other mid-turn, dressed head to toe in oxblood, hair loose in motion. The scene is warm and romantic, painted with the gestural ease of a single unhurried breath. A tender piece for those who like their love stories understated.
Japandi
The stroke that joins one letter to the next. The Ligature traces a single connected line through charcoal and taupe, terracotta settling at its curve. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A woman’s silhouette repeats itself in soft layers of blush, rose and burnt orange, each echo slightly softer than the last. It feels rhythmic, almost musical, painted in warm overlapping tones. A striking, textural anchor for a gallery wall.
Japandi
What breaks can become more beautiful for having been repaired. Kintsugi (The Mend) traces a golden-terracotta seam through a fractured charcoal form: visible repair, made art. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
A hand rises into frame, fingers curled loosely around a phone rendered in deep brick red, its rounded cream border glowing softly against a warm coral ground. The gesture is casual, almost incidental, the kind of small hold that fills an idle moment, yet the bold, sculptural shapes give it real p
Japandi
Coming back, changed. The Return traces a soft looping form back to where it started, terracotta marking the point of arrival. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Figure
Loose trousers, an oversized sweater, unhurried steps away from the frame: this figure is caught mid-thought against a horizon of muted mauve and sand. The palette is warm and restrained, the pose unposed. A grounding piece for a living room or entryway that favours calm over noise.
Sizing by wall
Double bed 140 cm
Above a bed
A pair of A2s, 5 to 8cm apart
Desk 120 cm
Desk or shelf
21 × 30 cm or 30 × 42 cm, leaning or hung low
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Bedroom wall art sets the mood at the end of the day. Soft neutrals, gentle figure prints and quiet botanicals keep the room calm. A matched pair in 30 × 42 cm, or two 42 × 59 cm prints, fits above most double beds.
For a restful palette, browse blush and pink or taupe and beige prints, and see our Japandi wall art for a minimal look. Check the size guide for bed widths, or start from a ready-made gallery wall set.
Above a bed, keep the art narrower than the headboard and hang it 20 to 30cm above the top. Soft tones and simple shapes help the room feel restful. For a pair, choose two prints from the same collection so the colours match.
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