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Calm, restful prints for the wall above the bed. Soft neutrals, gentle figures and quiet botanicals set a slower pace at the end of the day. A matched pair in 30 × 42 cm or two 42 × 59 cm prints fits most double beds and keeps the wall balanced.
Prints
323
Above a bed
A pair of A2s
Collections
4
Showing 25–48 of 81 results
Figure
A gathered crowd stands close, faces rendered loosely in oxblood, plum, and warm cream, with soft blush figures rising in the foreground. There is a quiet dignity to the composition, everyone present and equally considered. Warm and layered, it brings a painterly sense of community to a wall.
Figure
A quiet stack of folded linens rests on slender stool legs, painted in deep burgundy, warm terracotta and soft cream. Loose gouache strokes catch the fold of each fabric, turning an everyday still life into something almost devotional. A grounding piece for a reading corner or a hallway that wants a
Figure
Here the birds gather closer, a dense flock of burnt sienna, black, and warm tan sweeping across her face as she tilts her head back, eyes shut. Her hair is caught in a loose bun with a few strands escaping at the neck, and the painterly brushwork gives the whole scene a sense of quiet motion. Deepe
Figure
Two figures lean into one another, her face turned into his shoulder, rendered in bold, sculptural blocks of terracotta and blush. The abstracted shapes behind them read almost like folded fabric or shifting light, giving the embrace a quiet privacy. It is a study in closeness, painted in warm earth
Figure
Soft organic shapes in black and oxblood settle against a warm neutral ground, tied together by a single thin red cord that winds through the composition. The forms feel abstracted from the body itself, quiet and sculptural rather than literal. A subtle, grounding piece for a gallery wall in warm to
Figure
Rendered in deep burgundy and oxblood, this profile portrait sits with eyes closed, wrapped in a cream and black striped fabric that frames the face like a hood. The mood is still and meditative, warm pigment built up in confident painterly layers. A grounding portrait for a quiet corner of the home
Figure
Two faces overlap in a patchwork of mauve, rust and black, abstracted into interlocking planes of colour against a soft blush ground. The effect is bold and painterly, closer to collage than portrait, full of quiet tension between the two forms. A striking anchor for a gallery wall that likes a litt
Figure
Just the ankles down, blush pink trainers planted on a terracotta floor, black socks catching the light. It is a small, unguarded moment rendered with loose, confident brushstrokes. Warm and a little playful, without ever raising its voice.
Figure
A hand rests beside an open laptop, the rest of the figure cropped away into a wash of burnt terracotta. There is something restful about the composition, half work, half daydream. A study in warmth and quiet concentration for a home office or reading corner.
Figure
An aged hand grips the curve of a wooden cane, sleeve dark against a soft sage ground. Painted with tenderness and restraint, it speaks quietly of time, steadiness and grace. A gentle, contemplative piece for a hallway or reading nook.
Figure
A face rests closed-eyed above a swirling violet and cream coat, suspended as if hung from its own hook. The effect is dreamlike, part portrait, part still life, painted in deep aubergine against a warm blush ground. Strange, elegant, and hard to look away from.
Figure
Two overlapping faces share a single neck and shoulder, one in terracotta, one in dusty mauve, split by a band of near-black. It reads like a quiet conversation with oneself, painterly and self-possessed. A striking focal piece for a gallery wall.
Figure
A hand cradles a single red poppy set in a striped white vase, painted against a soft blush ground. The gesture is tender and unhurried, as still as a held breath. A gentle, warm piece for a kitchen, bedroom, or quiet corner.
Figure
Three profiles fold into one another in soft camel, ivory and near-black, a quiet study of likeness and layering. Painted in loose, textured strokes, it reads as a meditation on how faces echo across a family, a room, a lifetime. A warm neutral piece for a gallery wall that wants to feel considered
Figure
A sharp platinum bob frames a face lit half in warm coral and half in shadow, the split background echoing the bold graphic split of the portrait itself. Paired with a black turtleneck and deep red lips, the mood is confident and a touch editorial. A bold focal piece for a space that wants presence.
Figure
A figure curls into a black stool, lost in a book, wrapped in a chunky terracotta-striped jumper against a soft blush wall. The palette is warm and textural, all brushy orange and cream with a flash of red trainers underfoot. A cosy, quietly stylish portrait for a reading nook or living room wall.
Figure
A hand tips a cream jug and dark wine spills into a waiting glass, set against bold geometric planes of mauve, blush and black. It is a still, sophisticated moment, part still life and part portrait, painted with the confident flat colour and warm terracotta tones that run through this collection. A
Figure
Eyes closed in quiet reverie, a woman’s neck is wrapped in a sinuous ribbon of terracotta, coiling like a painted vine against warm ivory. The gesture feels both surreal and calm, a moment of stillness rendered in bold, sculptural brushwork. A striking, contemplative piece for a bedroom or reading c
Figure
Two faces meet in profile, one rendered in deep burgundy shadow, the other softened to dusty rose, overlapping like an echo of the same quiet thought. The double-exposure effect gives the piece a contemplative, layered stillness against warm ivory. A refined, moody statement for above a bed or readi
Figure
Limbs and torsos fold into one another in soft, flowing shapes, painted in layered dusty rose and burgundy that blur the line between figure and gesture. The forms feel almost sculptural, caught mid-movement against warm ivory. An abstract, sensuous piece for a living room or gallery wall grouping.
Figure
A hand cradles a phone rendered in confident, painterly red, its screen a warm rectangle of colour against a blush pink ground. The everyday gesture is elevated into something almost still-life, ordinary life caught in a single unguarded frame. A bold, modern piece for a living room or gallery wall.
Figure
Two figures wrap around each other in a close embrace, maroon and cream knitwear against faded blue denim and a dusty pink wall. The brushwork is warm and unhurried, capturing the quiet weight of a long hug rather than a fleeting moment. A tender, painterly piece about closeness, in burgundy, cream
Figure
Two hands press together in quiet devotion, rendered in faceted planes of terracotta and shadow against a burgundy ground. The geometry is bold, the gesture unmistakably human, a small act of stillness made monumental. A graphic, warm-toned piece for a living room or study wall.
Figure
An arm extends down through banded waves of terracotta and warm pink, fingers relaxed mid-gesture. The layered, horizon-like background gives the hand a sense of floating weightlessness, painted with loose, confident brushwork. A warm, graphic print that anchors a living room or gallery wall with mo
Sizing by wall
Double bed 140 cm
Above a bed
A pair of A2s, 5 to 8cm apart
Desk 120 cm
Desk or shelf
21 × 30 cm or 30 × 42 cm, leaning or hung low
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Bedroom wall art sets the mood at the end of the day. Soft neutrals, gentle figure prints and quiet botanicals keep the room calm. A matched pair in 30 × 42 cm, or two 42 × 59 cm prints, fits above most double beds.
For a restful palette, browse blush and pink or taupe and beige prints, and see our Japandi wall art for a minimal look. Check the size guide for bed widths, or start from a ready-made gallery wall set.
Above a bed, keep the art narrower than the headboard and hang it 20 to 30cm above the top. Soft tones and simple shapes help the room feel restful. For a pair, choose two prints from the same collection so the colours match.
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