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Prints with terracotta, rust or burnt orange in the artwork. These warm, earthy tones bring a sunny glow to living rooms, kitchens and bedrooms. Pair them with cream, charcoal or plum, and natural oak frames, for a relaxed Mediterranean feel.
Prints
137
Goes with
Cream, charcoal, plum
Mostly in
Figure, Architectural
Showing all 23 results
NewJapandi
Stillness, suspended. Jhoola (The Swing) traces the gentle curve of a courtyard swing in soft charcoal and sand, terracotta marking its resting point. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
A single point of light, falling. The Drop is the most minimal piece in the collection: one terracotta dot suspended in soft sand and taupe forms, caught mid-descent. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
Light, held in motion. The Orbit traces a slow circular path in charcoal and taupe around a single terracotta point: quiet celestial geometry. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Something made to hold and to share. The Bowl renders a simple rounded vessel in warm taupe and charcoal, terracotta resting inside it: the collection’s namesake piece. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The smallest unit of a meal. The Grain scatters small charcoal and sand forms across the page, terracotta the single grain that stands out. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Everything that’s still to come, held in one small form. The Seed centres a single terracotta shape within soft charcoal and sand: the quietest, most hopeful piece in the collection. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Too much, and glad of it. The Spill lets soft terracotta and sand forms run past their edges: abundance rendered gently. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A single form, turned inward on itself. The Coil traces a slow spiral in muted charcoal and sand, the kind of shape a hand makes without thinking: instinctive and self-contained, grounded by one terracotta dot. Part of the Before Language collection: quiet, considered wall art designed to be lived
Japandi
Before words, there were shapes. The Gathering pulls together soft, overlapping forms in charcoal, taupe and a single terracotta dot: a cluster of quiet presences, close but distinct, like stones settled by a tide. Part of the Before Language collection: quiet, considered wall art designed to be l
Japandi
A low, continuous sound before it becomes a word. The Murmur is the quietest piece in the collection: soft taupe and sand forms drifting beneath a thin outline, with one terracotta note breaking the hush. Part of the Before Language collection: quiet, considered wall art designed to be lived with,
Japandi
The part that stays solid long after the rest has weathered. The Heartwood centres a dense charcoal form ringed in taupe, terracotta at its core. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A concentric arch rises in loose, hand-painted bands of terracotta, each ring separated by a thin ribbon of bare paper. It settles onto a dark navy ground at its base, grounding all that warmth in something steadier. Terracotta and navy carry the whole piece, playful and hand-felt.
Japandi
A full circle sits layered in shifting terracotta and amber, one crescent of warm light falling across a deeper shadowed curve. The form is simple, a single sphere, but the layered shading gives it real depth and weight on the wall. Terracotta and amber carry the whole piece, quiet and warm.
Japandi
Vertical ribbons of terracotta, rust, and charcoal move down the canvas in a slow, deliberate curve, each stripe a little different in width and weight. The effect is closer to a current than a pattern: something moving rather than repeating. Terracotta and charcoal carry the whole piece, fluid and
Japandi
Elongated diamonds stack in three neat rows, each one a slightly different warm shade of terracotta and rust against pale cream. The pattern feels textile as much as architectural, closer to a woven rug than a tiled floor. Terracotta and cream carry the whole piece, graphic and warm.
Japandi
A single standing stone breaks into dozens of flat facets, terracotta and navy planes catching light from opposite sides. There’s no setting to place it in: just the rock itself, weighty and self-contained against a bare ground. Terracotta and navy carry the whole piece, sculptural and still.
Japandi
Two faceted stone forms stand side by side, one warm in terracotta and sand, the other cool in navy and slate. They lean together at the shoulder like old companions, each built from the same flat, sculpted planes. Terracotta and navy carry the whole piece, balanced and quiet.
Japandi
Terracotta and navy diamonds alternate in a steady checkerboard across warm cream, each shape given its own soft hand-painted texture. The pattern is simple and confident, the kind of print that works quietly with almost anything around it. Terracotta and navy carry the whole piece, graphic and warm
Japandi
A jagged peak rises in faceted terracotta rock beneath a snow-dusted summit, the low sun catching every ridge and fold. The palette stays warm even at altitude: rust and clay rather than cold blue-grey. Terracotta and charcoal carry the whole piece, dramatic and sun-lit.
Japandi
Concentric rings and radiating lines spread out from a small solid centre, all in loose, hand-painted terracotta on warm cream. The pattern reads at once as sun and target and ripple, holding several ideas at once without settling on one. Terracotta and cream carry the whole piece, warm and radiant.
Japandi
Two circles overlap, and where they meet a third, darker shape appears: deeper and denser, entirely its own. Plum and near-black charcoal carry the whole piece, moody and layered.
Japandi
Overlapping semicircles form a scalloped edge along the bottom only, leaving the rest of the canvas open and still. Plum and warm cream carry the whole piece, soft and grounded.
Japandi
A hexagon sends three of its six sides out as long spokes, reaching all the way to the canvas edge. Plum and warm cream carry the whole piece, structural and direct.
Showing 23 of 23 prints
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
56 prints · Shop the pairing →
46 prints · Shop the pairing →
31 prints · Shop the pairing →
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Terracotta for your
Living room Bedroom Kitchen & dining Hallway Home office Nursery & kids BathroomTerracotta sits between orange and brown, and warms up a white or cream wall straight away. Our terracotta wall art ranges from soft rust accents to bold burnt orange shapes.
Pair terracotta with blush, burgundy and plum or cream, and natural oak frames, for a relaxed Mediterranean feel. Many of our architectural prints and figure prints use it. Terracotta suits a living room or kitchen.
Terracotta works in every season. In summer it feels sunny and Mediterranean, and in winter it brings warmth to a room. Oak frames bring out the warmth, while black wood adds contrast.
Keep exploring
Shop by colour Blush & pink Mustard & ochre Architectural Living room
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