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Prints with cream, ivory or off-white in the artwork. Light, airy prints to keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start a gallery wall.
Prints
257
Goes with
Plum, navy, charcoal
Mostly in
Japandi, Figure
Showing 1–24 of 163 results
Best sellerBotanical
A loose cluster of daisy-like blooms lean together on tall stems, each flower a slightly different size and angle, the way a hand-picked bouquet actually falls.
NewJapandi
The formal gateway, framed in quiet geometry. Pishtaq (The Portal) renders the raised archway entrance found across Mughal facades, in warm neutral tones with a terracotta accent. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
A single point of light, falling. The Drop is the most minimal piece in the collection: one terracotta dot suspended in soft sand and taupe forms, caught mid-descent. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerJapandi
A single rake drags a wide arc through pale sand, each pass leaving a fine ribbed line behind it. The gesture of the rake is the whole subject: a quiet record of one deliberate motion.
NewJapandi
Light, held in motion. The Orbit traces a slow circular path in charcoal and taupe around a single terracotta point: quiet celestial geometry. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerJapandi
One flat arc spans the full width of the canvas, unbroken, like a low horizon seen from very far away. Plum and warm cream carry the whole piece, calm and wide open.
NewJapandi
The moment before full light. The Dawn renders a soft, glowing composition in sand and taupe, terracotta standing in for the first true colour of the day. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerJapandi
A grid of circles shifts every other row by half a unit, settling into a brick-like, offset rhythm. Plum and warm cream carry the whole piece, steady and considered.
NewJapandi
The blank space that gives the rest of the room to breathe. Yohaku (The Margin) frames a small charcoal and terracotta form within generous open space. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
Balance, held in layers. The Stack arranges rounded charcoal, taupe and sand forms one above the other, terracotta settling the composition. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A single stem splits and curls into two mirrored leaf shapes, cut from flat green exactly the way a papercut artist would work: no outline, just the shape of the plant itself against the paper.
Japandi
Edges that lose their sharpness, and are better for it. The Softening rounds every form in the composition, terracotta the only shape that stays defined. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
What sits in the gap. The Between is built around the space two forms leave for each other: soft taupe and charcoal shapes with room to breathe, terracotta at the centre. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A single poppy, its petals built from overlapping blocks of cream and sage rather than a continuous line, with one dark centre anchoring the whole composition.
Japandi
Time, laid down in layers. The Strata stacks soft horizontal bands of taupe, sand and charcoal, terracotta marking one particular moment. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
The pause before crossing over. The Threshold frames a quiet opening in charcoal and taupe, terracotta marking the point of entry. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A simple dark green arch sits inside a paler green outline against warm cream: architecture reduced to its plainest, most restful shape.
Architectural
A single opening, framed in quiet colour. The Aperture centres a soft, rounded void surrounded by charcoal and sand, terracotta catching the eye at its edge. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A small, unassuming shrub sits in a terracotta-toned pot, kept modest in scale: the kind of plant you’d actually have on a side table.
Japandi
The breath between one word and the next. The Pause is the quietest piece in the collection: a single terracotta mark suspended in soft, open space. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A fortress gate rises in stepped terracotta and cream, its crenellated battlements catching the last warm light of the day. A deep arched doorway sits low at its base, small against all that stacked stonework above. Terracotta and cream carry the whole piece, monumental and sun-worn.
Botanical
Nine small glass jars, each holding a different seedling, are arranged in a neat grid like a windowsill herb collection labelled and lined up.
Botanical
An ornate glass dome catches the light on every ribbed panel, holding nothing but a single small golden object resting on the floor beneath it.
Architectural
A spiral staircase coils down through the centre of the frame, viewed from directly above so the steps read as pure radiating pattern. Terracotta, cream, and charcoal alternate around the spiral, dizzying and precise. Terracotta and charcoal carry the whole piece, hypnotic and architectural.
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
Cream, ivory and off-white prints keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start.
For a soft, layered wall, combine cream prints with taupe and beige or sage. See our minimalist prints and Japandi wall art for more light tones, and try them in a living room or bedroom.
Cream prints make small rooms feel bigger and dark rooms feel brighter. They suit renters and first homes, and they sit happily beside any bolder print you add later.
Keep exploring
Shop by colour Taupe & beige Charcoal & black Minimalist Living room
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