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Prints with cream, ivory or off-white in the artwork. Light, airy prints to keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start a gallery wall.
Prints
257
Goes with
Plum, navy, charcoal
Mostly in
Japandi, Figure
Showing 1–24 of 47 results
Best sellerBotanical
A loose cluster of daisy-like blooms lean together on tall stems, each flower a slightly different size and angle, the way a hand-picked bouquet actually falls.
Architectural
Balance, held in layers. The Stack arranges rounded charcoal, taupe and sand forms one above the other, terracotta settling the composition. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A single stem splits and curls into two mirrored leaf shapes, cut from flat green exactly the way a papercut artist would work: no outline, just the shape of the plant itself against the paper.
Architectural
What sits in the gap. The Between is built around the space two forms leave for each other: soft taupe and charcoal shapes with room to breathe, terracotta at the centre. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A single poppy, its petals built from overlapping blocks of cream and sage rather than a continuous line, with one dark centre anchoring the whole composition.
Architectural
The pause before crossing over. The Threshold frames a quiet opening in charcoal and taupe, terracotta marking the point of entry. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A simple dark green arch sits inside a paler green outline against warm cream: architecture reduced to its plainest, most restful shape.
Architectural
A single opening, framed in quiet colour. The Aperture centres a soft, rounded void surrounded by charcoal and sand, terracotta catching the eye at its edge. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Botanical
A small, unassuming shrub sits in a terracotta-toned pot, kept modest in scale: the kind of plant you’d actually have on a side table.
Architectural
A fortress gate rises in stepped terracotta and cream, its crenellated battlements catching the last warm light of the day. A deep arched doorway sits low at its base, small against all that stacked stonework above. Terracotta and cream carry the whole piece, monumental and sun-worn.
Botanical
Nine small glass jars, each holding a different seedling, are arranged in a neat grid like a windowsill herb collection labelled and lined up.
Botanical
An ornate glass dome catches the light on every ribbed panel, holding nothing but a single small golden object resting on the floor beneath it.
Architectural
A spiral staircase coils down through the centre of the frame, viewed from directly above so the steps read as pure radiating pattern. Terracotta, cream, and charcoal alternate around the spiral, dizzying and precise. Terracotta and charcoal carry the whole piece, hypnotic and architectural.
Botanical
A single eucalyptus branch leans quietly across the page, its leaves painted loosely enough that you can still see the brush move.
Botanical
A hand reaches in from the edge of the frame to settle a leafy branch into a striped ceramic vase, caught mid-gesture.
Botanical
A hand holds out a generous bouquet of white anemones, their dark centres scattered across the page like a dozen small full stops.
Architectural
A recessed arch frames a dense star-and-lattice window, terracotta lines cutting a navy interior into a hundred small facets. The pattern is symmetrical and precise, radiating from a single eight-point star at its heart. Terracotta and navy carry the whole piece, intricate and calm.
Botanical
Rows of small four-petaled flowers repeat edge to edge in cream and deep green, laid out with the regularity of a vintage wallpaper sample.
Architectural
A scalloped rosette door knocker catches warm terracotta light, its ring casting a long soft shadow across the pale wall beneath. The form is close and sculptural, almost a portrait of the object itself. Terracotta and cream carry the whole piece, ornate and tactile.
Botanical
A striped, striated flower opens toward one corner of the page, a small bee just arriving to visit it.
Botanical
A tree built entirely from stacked circles (sage, olive, and a single spark of orange) balances on a thin dark trunk like a clipped garden topiary.
Architectural
Petal-shaped panels fan out from a small central disc, each one a slightly different shade of terracotta against warm cream. A row of arched windows sits just below, hinting at the grand hall the ceiling belongs to. Terracotta and cream carry the whole piece, ornate and radiant.
Architectural
A building’s roofline breaks into four flat triangular planes, each one a slightly different shade of terracotta, cream, and charcoal. There’s no ornament here at all: just the pure geometry of a corner meeting a peak. Terracotta and charcoal carry the whole piece, spare and confident.
Botanical
Dense ivy climbs and knots around a dark archway opening onto empty cream space: a doorway into somewhere unseen.
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
Cream, ivory and off-white prints keep a room open and bright. They work on any wall colour and pair with every frame, making them an easy place to start.
For a soft, layered wall, combine cream prints with taupe and beige or sage. See our minimalist prints and Japandi wall art for more light tones, and try them in a living room or bedroom.
Cream prints make small rooms feel bigger and dark rooms feel brighter. They suit renters and first homes, and they sit happily beside any bolder print you add later.
Keep exploring
Shop by colour Taupe & beige Charcoal & black Minimalist Living room
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