Mustard & ochre

A row of stepped arches climbs across the frame, a full amber sun rising behind them like it’s been caught mid-ascent. The wash of terracotta across the whole scene gives it a sense of heat and distance, ancient and unhurried. Terracotta and amber carry the whole piece, monumental and warm.

Eight brick chimney pillars climb in a diagonal row, one standing out in dark charcoal among the warm terracotta and cream of its neighbours. A bright amber sky fills the space above, simple and glowing. Terracotta and amber carry the whole piece, rhythmic and sun-drenched.

Rows of curved roof tiles overlap in a close diagonal weave, amber and terracotta alternating down each ridge and furrow. The close crop turns a familiar rooftop into something almost textile, warm and tactile. Amber and terracotta carry the whole piece, rhythmic and sun-worn.

A steel girder cuts a sharp diagonal across the frame, rows of rivets marching along its painted amber and terracotta faces. The angle is close and confident, more abstraction than documentation, letting the structure’s own geometry carry the composition. Amber and terracotta carry the whole piece,

A half-timbered gable climbs into a clear blue sky, its amber crossbeams forming a steady grid over pale plaster. Small paned windows sit neatly within the frame, catching a little shadow of their own. Amber and denim blue carry the whole piece, crisp and sun-bright.

A church spire rises above a row of gabled amber facades, a couple walking arm in arm through the long afternoon shadows below. The scene is full without being busy: market awnings, distant figures, one steady spire holding it all together. Amber and denim blue carry the whole piece, nostalgic and