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Prints with charcoal, black or ink grey in the artwork. Dark tones add contrast and definition, and anchor a pale wall. They suit modern and Japandi spaces, and look sharp in black or natural oak frames next to cream and terracotta pieces.
Prints
156
Goes with
Cream, terracotta, beige
Mostly in
Japandi, Animals
Showing 25–48 of 156 results
Japandi
A beat, repeated. Hyoshi (The Rhythm) arranges a steady sequence of charcoal and taupe forms across the page, terracotta marking the accent beat. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Animals
A fox looks straight out from the undergrowth, steady and entirely unafraid.
Figure
Cropped at the waist, a figure strides forward in cream and black, a long terracotta shadow trailing behind. The composition is all movement and momentum, painted in bold, confident strokes. A piece that brings quiet energy to any hallway or living space.
Japandi
Where the ink meets the page. The Nib renders a single pointed form in charcoal against soft sand, terracotta marking the point of contact. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
Five chimney stacks rise in ascending amber and rust from a pale industrial rooftop, each one a little taller than the last against a soft blue sky. The building beneath is simple and geometric, all flat planes and dark window openings. Amber and slate blue carry the whole piece, steady and industri
Animals
A giraffe’s neck rises out of frame: all reach, all quiet effort toward the leaves.
Japandi
The stroke that joins one letter to the next. The Ligature traces a single connected line through charcoal and taupe, terracotta settling at its curve. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A vaulted arcade curves away at a steep diagonal, each terracotta rib catching its own shadow of deep charcoal as the tunnel recedes. The angle is dramatic and immersive, more a walk through the space than a view of it. Terracotta and charcoal carry the whole piece, bold and architectural.
Architectural
A building’s roofline breaks into four flat triangular planes, each one a slightly different shade of terracotta, cream, and charcoal. There’s no ornament here at all: just the pure geometry of a corner meeting a peak. Terracotta and charcoal carry the whole piece, spare and confident.
Japandi
Every year, another ring. The Rings layers concentric charcoal and sand forms around a single terracotta centre: growth made visible. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Animals
A fawn steps into a clearing as the first light breaks through a winter forest.
Japandi
Being carried, gently. The Held nests one soft charcoal form inside another in taupe and sand, terracotta marking the point of contact. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A terracotta staircase climbs beside a deep charcoal shadow, a single small window set into the pale wall just above the first step. The contrast between the sunlit stairs and the dark wall face gives the whole scene its quiet drama. Terracotta and charcoal carry the whole piece, sculptural and warm
Animals
A crow keeps its perch against the sun, patient in its own dark shape.
Animals
A heron waits out the turning tide, still against a sky gone deep orange.
Japandi
The smallest unit of a meal. The Grain scatters small charcoal and sand forms across the page, terracotta the single grain that stands out. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A winged gargoyle perches on a rocky ledge, its faceted charcoal form split by a bold coral sun rising directly behind it. The pose is watchful and still, more guardian than monster. Charcoal and coral red carry the whole piece, dramatic and bold.
Animals
A cat comes straight at the frame, sunburst behind it like a held warning.
Botanical
Two ferns unfurl inside a glass cloche, drawn in fine black ink the way a Victorian botanist might have recorded a specimen under glass.
Animals
An ocelot sits upright and watchful, spots dark against a field of mustard.
Architectural
A carved lion mask stares out in faceted planes of terracotta and charcoal, water once falling from the thin line beneath its jaw. The geometry is bold rather than realistic, more sculpture than portrait, but the character still comes through in the set of the brow. Terracotta and charcoal carry t
Animals
A black cat crosses the frame like a shadow with somewhere to be.
Animals
A whale’s tail lifts clear of the water in the last second before the dive: the animal already gone beneath the surface.
Figure
Here the birds gather closer, a dense flock of burnt sienna, black, and warm tan sweeping across her face as she tilts her head back, eyes shut. Her hair is caught in a loose bun with a few strands escaping at the neck, and the painterly brushwork gives the whole scene a sense of quiet motion. Deepe
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
Charcoal, black and ink grey add contrast and definition, and anchor a pale wall. Our charcoal prints range from bold abstract shapes to fine line art.
They suit modern and Japandi interiors, and look sharp in black or oak frames beside terracotta or cream pieces. Charcoal prints work well in a hallway or home office.
A charcoal print gives a neutral wall a strong anchor. Use one dark print to balance a group of lighter ones, or hang two charcoal prints as a matched pair for a graphic, modern look.
Keep exploring
Shop by colour Taupe & beige Neutral & cream Line Art Hallway
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