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As little as the idea allows. Minimalist prints use clean lines, open space and a restrained palette to create calm on the wall. They suit modern and Japandi interiors, and look best with plenty of breathing room around the frame.
Prints
168
Colours
Cream, charcoal, plum
Works in
Hallway, living room, bedroom
Showing 121–144 of 157 results
Japandi
A grid of plus-signs shifts tone across the canvas in a soft ombre wash, each one stitched into the next. Plum and warm cream carry the whole piece, tactile and even.
Japandi
A crescent moon doubles and mirrors against itself, closing into the shape of a lens. Plum and warm cream carry the whole piece, quiet and optical.
Japandi
Light and dark diamonds alternate into a harlequin rhythm, softened here into flat, considered blocks of colour. Plum and warm cream carry the whole piece, playful and composed.
Japandi
Overlapping ovals gather like a loose bouquet, each one a flat, softly translucent-looking plum. Plum and warm cream carry the whole piece, gentle and unhurried.
Japandi
A pyramid of horizontal bars steps upward, each one narrower than the one beneath it. Plum and warm cream carry the whole piece, grounded and climbing.
Japandi
Rays radiate outward in alternating plum and open cream, so the sunburst reads as much in what’s left unfilled as what’s coloured in. Plum and warm cream carry the whole piece, radiant and considered.
Japandi
Interlocking S-curves run edge to edge, reading less like separate shapes than one continuous ribbon. Plum and warm cream carry the whole piece, fluid and unbroken.
Japandi
A grid of dots begins tightly packed and slowly drifts apart, spacing widening as the eye moves across it. Plum and warm cream carry the whole piece, calm and gradual.
Japandi
Thin concentric arcs radiate outward from one corner, exactly as a ripple would move across still water. Plum and warm cream carry the whole piece, calm and expanding.
Japandi
Hexagons nest tightly within each other, each ring cooling by a shade until it settles at the centre. Plum and charcoal carry the whole piece, dense and quietly deliberate.
Japandi
A flat trapezoid mirrors itself below the centre line, closing into the shape of a bowtie. Plum and warm cream carry the whole piece, tidy and self-assured.
Japandi
A single thick zigzag cuts corner to corner, splitting the canvas into two unequal plum and cream shapes. Plum and warm cream carry the whole piece, sharp and sure of itself.
Japandi
Parallel diagonal lines run the length of the canvas until one horizontal band cuts straight across, uninterested in their direction. Plum and warm cream carry the whole piece, confident and clean.
Japandi
A small wooden boat sits motionless on a mirror-still lake, layered indigo mountains stacking behind it into the haze.
Japandi
A bare branch reaches in from the edge of the page over a river delta, its indigo channels splitting and rejoining like veins.
Japandi
Tall bamboo stalks rise and converge overhead, seen from directly below, alternating warm tan and deep indigo bands.
Japandi
A pagoda’s tiered roofline is pared back to offset indigo and cream bands, each storey shifted just enough to read as a step upward.
Japandi
Layered mountain ridges fade from pale cream into deep indigo as they recede, built up like an ink wash losing itself in mist.
Japandi
A pair of geta sandals is drawn in loose, looping indigo brushwork, the straps left as bare outline against the paper.
Japandi
A second set of nested bowls stacks against a deep indigo ground, their rims outlined in the barest sliver of black.
Japandi
A dragonfly hovers mid-air on a bare reed, its four wings washed in layered indigo watercolour against plain paper.
Japandi
Squares nest inside squares, each ring a slightly different tone, reading like a target seen at rest. Plum and warm cream carry the whole piece, contained and deliberate.
Japandi
Pale blush petals drift down through a deep indigo sky that softens to plain cream at the bottom of the page.
Japandi
Rectangular blocks of indigo and cream interlock in a loose brick pattern, echoing the woven edge of a tatami mat.
Styled at home
Minimalist above the bookcase
Prints from £4.99
Styling notes
Frames
White or oak frames disappear into the wall and let the print breathe.
Pairing
Mix with Line Art in the same frame colour.
Placement
Leave at least a frame's width of empty wall on each side.
Best on
White, stone, pale wood walls, framed in white wood.
Try minimalist prints on a photo of your own wall at true size.
As little as the idea allows. Minimalist wall art uses clean lines, open space and a restrained palette to bring calm to a wall. It looks best with plenty of breathing room around the frame.
See our Japandi wall art and line art prints for more in this style, or neutral wall art for softer tones. Minimal prints suit a home office or bedroom, and pair well in thin black or oak frames.
Keep the frames as simple as the prints. Thin black, oak or white wood frames suit minimalist art best. Leave more wall around the print than you think, as the empty space is part of the look.
Keep exploring
Shop by style Neutral Abstract Japandi & Wabi Sabi Neutral & cream
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