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Shape and rhythm as the subject. Our abstract prints use bold forms and a warm palette of cream, plum and terracotta to bring energy to a wall. They sit well in bedrooms, living rooms and hallways, and pair easily with each other in a gallery wall.
Prints
119
Colours
Cream, plum, terracotta
Works in
Bedroom, living room, hallway
Showing 1–24 of 41 results
Best sellerFigure
Bold coral tendrils wrap around a woman in profile like blooming coral or unfurling petals, rendered in confident reds against a soft blush ground. The pattern moves with an almost botanical rhythm, equal parts portrait and abstraction. A striking statement print for a living room that wants colour
Botanical
A single stem splits and curls into two mirrored leaf shapes, cut from flat green exactly the way a papercut artist would work: no outline, just the shape of the plant itself against the paper.
Botanical
A single poppy, its petals built from overlapping blocks of cream and sage rather than a continuous line, with one dark centre anchoring the whole composition.
Botanical
A simple dark green arch sits inside a paler green outline against warm cream: architecture reduced to its plainest, most restful shape.
Figure
Seen from behind, a woman is almost entirely eclipsed by the wide brim of a patterned straw hat, deep oxblood skin and red-striped robe glowing against a soft blush wall. It is a study in shape and shadow as much as portraiture, warm and enigmatic. A bold, painterly piece with real presence.
Figure
A lone figure stands at the water’s edge, facing a burgundy moon suspended over layered mauve mountains and their mirrored reflection. The mood is still and contemplative, painted in soft washes of dusty plum and rose. A quiet, atmospheric piece for anyone drawn to solitude and wide open dusk skies.
Botanical
A rose seen dead-on, its petals spiralling inward in bands of sage and moss until the eye lands on a small, dark centre.
Figure
A woman’s silhouette repeats itself in soft layers of blush, rose and burnt orange, each echo slightly softer than the last. It feels rhythmic, almost musical, painted in warm overlapping tones. A striking, textural anchor for a gallery wall.
Botanical
A tree built entirely from stacked circles (sage, olive, and a single spark of orange) balances on a thin dark trunk like a clipped garden topiary.
Figure
A hand rises into frame, fingers curled loosely around a phone rendered in deep brick red, its rounded cream border glowing softly against a warm coral ground. The gesture is casual, almost incidental, the kind of small hold that fills an idle moment, yet the bold, sculptural shapes give it real p
Botanical
A single burnt-orange leaf, its lobes curling and looping like ribbon, sits bold against a deep teal ground: the collection’s boldest use of colour.
Figure
A woman rests with her eyes closed, one hand drawn softly to her throat as a flock of terracotta birds lifts from her hair into warm, quiet air. Rendered in loose, brushy gouache against a warm ivory ground, the piece holds a stillness that feels both intimate and unguarded. Deep terracotta and soft
Figure
A gathered crowd stands close, faces rendered loosely in oxblood, plum, and warm cream, with soft blush figures rising in the foreground. There is a quiet dignity to the composition, everyone present and equally considered. Warm and layered, it brings a painterly sense of community to a wall.
Botanical
A slender trunk carries rounded, cloud-like clusters of foliage in soft olive and sage: part bonsai, part imagined topiary, entirely calm.
Figure
Two figures lean into one another, her face turned into his shoulder, rendered in bold, sculptural blocks of terracotta and blush. The abstracted shapes behind them read almost like folded fabric or shifting light, giving the embrace a quiet privacy. It is a study in closeness, painted in warm earth
Figure
Soft organic shapes in black and oxblood settle against a warm neutral ground, tied together by a single thin red cord that winds through the composition. The forms feel abstracted from the body itself, quiet and sculptural rather than literal. A subtle, grounding piece for a gallery wall in warm to
Botanical
A bare, forking branch stretches diagonally across pale sage, reduced to its simplest silhouette: no leaves, just structure.
Figure
Rendered in deep burgundy and oxblood, this profile portrait sits with eyes closed, wrapped in a cream and black striped fabric that frames the face like a hood. The mood is still and meditative, warm pigment built up in confident painterly layers. A grounding portrait for a quiet corner of the home
Figure
Two faces overlap in a patchwork of mauve, rust and black, abstracted into interlocking planes of colour against a soft blush ground. The effect is bold and painterly, closer to collage than portrait, full of quiet tension between the two forms. A striking anchor for a gallery wall that likes a litt
Botanical
A single flower opens into wide, wavy-edged petals, its stem curving down to one corner: more gesture than botanical accuracy.
Botanical
A fern frond leans diagonally across a checkerboard of forest green, sage, and cream squares, the plant and the pattern competing for attention.
Botanical
Long pointed aloe leaves fan out from a striped bowl planter, each leaf a slightly different shade of sage against the pale room behind it.
Figure
A face rests closed-eyed above a swirling violet and cream coat, suspended as if hung from its own hook. The effect is dreamlike, part portrait, part still life, painted in deep aubergine against a warm blush ground. Strange, elegant, and hard to look away from.
Figure
Two overlapping faces share a single neck and shoulder, one in terracotta, one in dusty mauve, split by a band of near-black. It reads like a quiet conversation with oneself, painterly and self-possessed. A striking focal piece for a gallery wall.
Styled at home
Abstract above the daybed
Prints from £4.99
Styling notes
Frames
Oak warms terracotta and plum. Black sharpens graphic pieces.
Pairing
Combine two abstracts that share one colour.
Placement
Go big: one 59 × 84 cm above a sofa or bed does more than three small prints.
Best on
Warm white, plaster pink walls, framed in natural oak.
Try abstract prints on a photo of your own wall at true size.
Abstract wall art uses shape and rhythm as the subject. Our abstract prints keep to bold forms and a warm palette of cream, plum and terracotta, with nothing to recognise and plenty to look at.
They bring energy to a living room or bedroom, and pair easily with each other. For a softer look see minimalist prints, and for colour try burgundy and plum. Mix abstracts with a figure print in one of our gallery wall sets.
Abstract prints are flexible on size. One large 59 × 84 cm print makes a confident focal point, while a cluster of smaller abstracts in matching frames creates rhythm across a wide wall. Black wood frames sharpen the shapes.
Keep exploring
Shop by style Minimalist Line Art Living room Burgundy & plum
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