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The hallway is the first wall guests see, so make it count. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Pick bold shapes and strong colour so the print reads at a glance as people pass.
Prints
765
Best size
One 42 × 59 cm or 30 × 42 cm
Collections
5
Showing 121–144 of 156 results
Japandi
Light and dark diamonds alternate into a harlequin rhythm, softened here into flat, considered blocks of colour. Plum and warm cream carry the whole piece, playful and composed.
Japandi
Overlapping ovals gather like a loose bouquet, each one a flat, softly translucent-looking plum. Plum and warm cream carry the whole piece, gentle and unhurried.
Japandi
A pyramid of horizontal bars steps upward, each one narrower than the one beneath it. Plum and warm cream carry the whole piece, grounded and climbing.
Japandi
Rays radiate outward in alternating plum and open cream, so the sunburst reads as much in what’s left unfilled as what’s coloured in. Plum and warm cream carry the whole piece, radiant and considered.
Japandi
Interlocking S-curves run edge to edge, reading less like separate shapes than one continuous ribbon. Plum and warm cream carry the whole piece, fluid and unbroken.
Japandi
A grid of dots begins tightly packed and slowly drifts apart, spacing widening as the eye moves across it. Plum and warm cream carry the whole piece, calm and gradual.
Japandi
Thin concentric arcs radiate outward from one corner, exactly as a ripple would move across still water. Plum and warm cream carry the whole piece, calm and expanding.
Japandi
Hexagons nest tightly within each other, each ring cooling by a shade until it settles at the centre. Plum and charcoal carry the whole piece, dense and quietly deliberate.
Japandi
A flat trapezoid mirrors itself below the centre line, closing into the shape of a bowtie. Plum and warm cream carry the whole piece, tidy and self-assured.
Japandi
A single thick zigzag cuts corner to corner, splitting the canvas into two unequal plum and cream shapes. Plum and warm cream carry the whole piece, sharp and sure of itself.
Japandi
Parallel diagonal lines run the length of the canvas until one horizontal band cuts straight across, uninterested in their direction. Plum and warm cream carry the whole piece, confident and clean.
Japandi
A small wooden boat sits motionless on a mirror-still lake, layered indigo mountains stacking behind it into the haze.
Japandi
A bare branch reaches in from the edge of the page over a river delta, its indigo channels splitting and rejoining like veins.
Japandi
Tall bamboo stalks rise and converge overhead, seen from directly below, alternating warm tan and deep indigo bands.
Japandi
A pagoda’s tiered roofline is pared back to offset indigo and cream bands, each storey shifted just enough to read as a step upward.
Japandi
Layered mountain ridges fade from pale cream into deep indigo as they recede, built up like an ink wash losing itself in mist.
Japandi
A pair of geta sandals is drawn in loose, looping indigo brushwork, the straps left as bare outline against the paper.
Japandi
A second set of nested bowls stacks against a deep indigo ground, their rims outlined in the barest sliver of black.
Japandi
A dragonfly hovers mid-air on a bare reed, its four wings washed in layered indigo watercolour against plain paper.
Japandi
Squares nest inside squares, each ring a slightly different tone, reading like a target seen at rest. Plum and warm cream carry the whole piece, contained and deliberate.
Japandi
Pale blush petals drift down through a deep indigo sky that softens to plain cream at the bottom of the page.
Japandi
Rectangular blocks of indigo and cream interlock in a loose brick pattern, echoing the woven edge of a tatami mat.
Japandi
Concentric rings spiral inward, tightening ring by ring until they resolve into a single dot at the centre. Plum and warm cream carry the whole piece, steady and hypnotic.
Japandi
A single ink brush rests at an angle across the page, its dark handle the one hard edge in an otherwise soft indigo and cream composition.
Sizing by wall
Console 100 cm
Hallway
One 42 × 59 cm or 30 × 42 cm in portrait, at eye level
Desk 120 cm
Desk or shelf
21 × 30 cm or 30 × 42 cm, leaning or hung low
Not sure what fits?
Try prints on a photo of your own wall
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The hallway is the first wall guests see. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Bold shapes and strong colour read at a glance as people pass.
Architectural prints and figurative wall art both suit a hallway. For colour, try mustard and ochre or charcoal and black. Our gallery wall sets help you plan a row of prints along a corridor.
In a narrow hallway, keep frames slim and sizes modest so they do not crowd the space. 21 × 30 cm and 30 × 42 cm prints in a vertical line work well beside a door, and a staircase suits a stepped row of prints rising with the stairs.
Keep exploring
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