Abstract Horizon Stripes
From £14.44A dark, bottle-like silhouette stands against banded stripes of navy and cream: part horizon line, part washed-up form. Abstract enough to sit quietly, coastal enough to belong here.
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The hallway is the first wall guests see, so make it count. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Pick bold shapes and strong colour so the print reads at a glance as people pass.
Prints
318
Best size
One 42 × 59 cm or 30 × 42 cm
Collections
5
Showing 97–120 of 318 results

Coastal
A dark, bottle-like silhouette stands against banded stripes of navy and cream: part horizon line, part washed-up form. Abstract enough to sit quietly, coastal enough to belong here.

Coastal
Nothing but sea and sky, the horizon line splitting a soft gradient of teal into two calm halves. About as quiet as the collection gets.

Japandi
Being carried, gently. The Held nests one soft charcoal form inside another in taupe and sand, terracotta marking the point of contact. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.

Architectural
A winged gargoyle perches on a rocky ledge, its faceted charcoal form split by a bold coral sun rising directly behind it. The pose is watchful and still, more guardian than monster. Charcoal and coral red carry the whole piece, dramatic and bold.

Animals
A cat comes straight at the frame, sunburst behind it like a held warning.

Coastal
Warm sand curves against layered teal water, the tideline drawn in loose, breaking brushstrokes. A quiet, high-view take on the place where beach meets sea.

Coastal
A denser cluster of striped floats bunches together on their lines, a busier, more tangled companion to the single hanging row.

Architectural
A rounded stone archway sits face-on in a wall of hand-cut blocks, each one a slightly different warm tone of terracotta and sand. Beyond the opening, the interior glows a soft, almost featureless cream, an invitation rather than a view. Terracotta and cream carry the whole piece, solid and inviting

Animals
An ocelot sits upright and watchful, spots dark against a field of mustard.

Architectural
A striped chimney pot rises from a whitewashed adobe roofline, its banded cap catching crisp shadow against a deep terracotta wall behind. The composition is simple and close, letting one small architectural detail fill the whole frame. Terracotta and cream carry the whole piece, sun-baked and quiet

Figure
A quiet stack of folded linens rests on slender stool legs, painted in deep burgundy, warm terracotta and soft cream. Loose gouache strokes catch the fold of each fabric, turning an everyday still life into something almost devotional. A grounding piece for a reading corner or a hallway that wants a

Coastal
A round striped buoy sits alone against plain cream, its bands of teal and sand turning a simple dockside float into a graphic study of form.

Japandi
The smallest unit of a meal. The Grain scatters small charcoal and sand forms across the page, terracotta the single grain that stands out. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.

Architectural
A carved lion mask stares out in faceted planes of terracotta and charcoal, water once falling from the thin line beneath its jaw. The geometry is bold rather than realistic, more sculpture than portrait, but the character still comes through in the set of the brow. Terracotta and charcoal carry t

Animals
A black cat crosses the frame like a shadow with somewhere to be.

Animals
A whale’s tail lifts clear of the water in the last second before the dive: the animal already gone beneath the surface.

Coastal
Diagonal bands of wave texture sweep across the frame with a single pale shell resting in the corner: texture and object in one quiet composition.

Japandi
Everything laid out, ready to share. The Spread arranges several soft forms across the page like dishes on a table, terracotta the centrepiece. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.

Architectural
A keyhole-shaped archway sits deep in shadow, its own silhouette thrown long across the tiled floor in front of it. The doorway itself reads almost black against the warm terracotta wall beside it, dramatic and still. Terracotta and espresso carry the whole composition, quiet and sun-struck.

Animals
A bee walks the geometry of its own hive, gold on gold, entirely at home.

Japandi
A pinwheel-shaped void is cut clean from an otherwise solid field of plum, the negative space doing all the talking. Plum and warm cream carry the whole piece, spare and confident.

Coastal
A rope ties itself into a solid, practical knot around a weathered post, teal cord against warm rust wood. A small study in dockside craft.

Japandi
What bends and doesn’t break. The Bough traces a single curved form across sand and charcoal, terracotta settling like the last leaf of the season. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.

Architectural
A keyhole arch stands open onto a checkerboard floor, terracotta and cream tiles fanning out toward the viewer in a pattern as old as the doorway itself. The arch’s own deep brown shadow gives the scene its quiet drama, a dark pause before the pattern begins. Terracotta and espresso carry the whole
Sizing by wall
Console 100 cm
Hallway
One 42 × 59 cm or 30 × 42 cm in portrait, at eye level
Desk 120 cm
Desk or shelf
21 × 30 cm or 30 × 42 cm, leaning or hung low
Not sure what fits?
Try prints on a photo of your own wall
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The hallway is the first wall guests see. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Bold shapes and strong colour read at a glance as people pass.
Architectural prints and figurative wall art both suit a hallway. For colour, try mustard and ochre or charcoal and black. Our gallery wall sets help you plan a row of prints along a corridor.
In a narrow hallway, keep frames slim and sizes modest so they do not crowd the space. 21 × 30 cm and 30 × 42 cm prints in a vertical line work well beside a door, and a staircase suits a stepped row of prints rising with the stairs.
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