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The hallway is the first wall guests see, so make it count. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Pick bold shapes and strong colour so the print reads at a glance as people pass.
Prints
318
Best size
One 42 × 59 cm or 30 × 42 cm
Collections
5
Showing 1–24 of 200 results
NewJapandi
Each step, a small rise. Zeena (The Steps) stacks charcoal and sand forms like a staircase climbing toward light, terracotta marking the top step. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
A single point of light, falling. The Drop is the most minimal piece in the collection: one terracotta dot suspended in soft sand and taupe forms, caught mid-descent. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
The blank space that gives the rest of the room to breathe. Yohaku (The Margin) frames a small charcoal and terracotta form within generous open space. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
Stillness, suspended. Jhoola (The Swing) traces the gentle curve of a courtyard swing in soft charcoal and sand, terracotta marking its resting point. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerArchitectural
Four sails cross low against a warm terracotta sky, their striped fabric catching light in bands of cream and rust. The tower beneath is split cleanly into cream and charcoal, solid and unmoving beneath all that motion above. Terracotta and charcoal carry the whole piece, rustic and sun-warmed.
Best sellerJapandi
A single rake drags a wide arc through pale sand, each pass leaving a fine ribbed line behind it. The gesture of the rake is the whole subject: a quiet record of one deliberate motion.
NewJapandi
The formal gateway, framed in quiet geometry. Pishtaq (The Portal) renders the raised archway entrance found across Mughal facades, in warm neutral tones with a terracotta accent. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerJapandi
One flat arc spans the full width of the canvas, unbroken, like a low horizon seen from very far away. Plum and warm cream carry the whole piece, calm and wide open.
Best sellerJapandi
A teardrop mirrored against itself forms a symmetrical almond, the seam between the two halves left visible on purpose. Plum and warm cream carry the whole piece, quiet and exact.
NewJapandi
Light, held in motion. The Orbit traces a slow circular path in charcoal and taupe around a single terracotta point: quiet celestial geometry. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerJapandi
A grid of circles shifts every other row by half a unit, settling into a brick-like, offset rhythm. Plum and warm cream carry the whole piece, steady and considered.
NewJapandi
The moment before full light. The Dawn renders a soft, glowing composition in sand and taupe, terracotta standing in for the first true colour of the day. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
Land, lifting. The Rise is the most upward-reaching piece in the collection: a column of stacked sand and charcoal forms climbing toward a single terracotta dot. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
NewArchitectural
Structure, stripped back to its essence. The Column stands as a single vertical form in charcoal against soft sand, terracotta marking its base: quiet architecture for a quiet room. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
Colour, softening with time. The Fade moves from deep charcoal into pale sand across the page, terracotta the last mark to hold its full colour. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The quiet connections that shape a life. En (The Meeting) brings two soft forms together at a single point, terracotta marking where they touch. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
Balance, held in layers. The Stack arranges rounded charcoal, taupe and sand forms one above the other, terracotta settling the composition. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The line a hand leaves after the hand is gone. The Trace is built from thin, overlapping outlines in charcoal and taupe: a record of movement rather than a picture of a thing, quiet evidence, not illustration. Part of the Before Language collection: quiet, considered wall art designed to be lived
Architectural
What sits in the gap. The Between is built around the space two forms leave for each other: soft taupe and charcoal shapes with room to breathe, terracotta at the centre. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The lines that come from a life well-lived. The Crease renders soft folded forms in taupe and charcoal, terracotta settling into the fold. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
The pause before crossing over. The Threshold frames a quiet opening in charcoal and taupe, terracotta marking the point of entry. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Edges that lose their sharpness, and are better for it. The Softening rounds every form in the composition, terracotta the only shape that stays defined. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A single opening, framed in quiet colour. The Aperture centres a soft, rounded void surrounded by charcoal and sand, terracotta catching the eye at its edge. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Time, laid down in layers. The Strata stacks soft horizontal bands of taupe, sand and charcoal, terracotta marking one particular moment. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Sizing by wall
Console 100 cm
Hallway
One 42 × 59 cm or 30 × 42 cm in portrait, at eye level
Desk 120 cm
Desk or shelf
21 × 30 cm or 30 × 42 cm, leaning or hung low
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The hallway is the first wall guests see. Tall portrait prints suit narrow walls, and a row of three small frames works well along a staircase. Bold shapes and strong colour read at a glance as people pass.
Architectural prints and figurative wall art both suit a hallway. For colour, try mustard and ochre or charcoal and black. Our gallery wall sets help you plan a row of prints along a corridor.
In a narrow hallway, keep frames slim and sizes modest so they do not crowd the space. 21 × 30 cm and 30 × 42 cm prints in a vertical line work well beside a door, and a staircase suits a stepped row of prints rising with the stairs.
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