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Prints with charcoal, black or ink grey in the artwork. Dark tones add contrast and definition, and anchor a pale wall. They suit modern and Japandi spaces, and look sharp in black or natural oak frames next to cream and terracotta pieces.
Prints
154
Goes with
Cream, terracotta, beige
Mostly in
Japandi, Animals
Showing 25–48 of 86 results
Japandi
The smallest unit of a meal. The Grain scatters small charcoal and sand forms across the page, terracotta the single grain that stands out. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A carved lion mask stares out in faceted planes of terracotta and charcoal, water once falling from the thin line beneath its jaw. The geometry is bold rather than realistic, more sculpture than portrait, but the character still comes through in the set of the brow. Terracotta and charcoal carry t
Architectural
A keyhole-shaped archway sits deep in shadow, its own silhouette thrown long across the tiled floor in front of it. The doorway itself reads almost black against the warm terracotta wall beside it, dramatic and still. Terracotta and espresso carry the whole composition, quiet and sun-struck.
Japandi
The parts of the day that repeat, and are better for it. The Ritual arranges balanced, symmetrical forms in charcoal and sand, terracotta marking the centre. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A row of arches recedes into the distance, each one a little smaller than the last, split cleanly down the middle between warm cream and deep charcoal. The perspective pulls the eye straight through to a small bright point far ahead. Terracotta and charcoal carry the whole piece, rhythmic and archit
Coastal
A dark glass bottle stands alone against warm cream, rendered as a bold, confident silhouette. Minimal enough to anchor a gallery wall without competing for attention.
Architectural
A terracotta staircase climbs into a deep arched alcove, the shadowed interior falling to near-black behind the sunlit steps. The sand-toned walls around it stay soft and simple, letting the dark doorway hold all the mystery. Terracotta and charcoal carry the whole piece, dramatic and still.
Japandi
A quiet place to set something down. The Altar arranges stacked sand and charcoal forms like an offering, terracotta placed carefully at the top. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Stones, stacked to mark a place worth remembering. The Cairn balances rounded charcoal and taupe forms one on the other, terracotta capping the stack. Part of the What Remains collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
A single form, turned inward on itself. The Coil traces a slow spiral in muted charcoal and sand, the kind of shape a hand makes without thinking: instinctive and self-contained, grounded by one terracotta dot. Part of the Before Language collection: quiet, considered wall art designed to be lived
Architectural
A ribbon of terracotta rises like a flame from the sharp corner of a dark rooftop, its edges soft and layered as if caught mid-flicker. The building beneath is reduced to two flat planes of charcoal and cream, letting the gesture above do all the talking. Terracotta and charcoal carry the whole piec
Japandi
Before words, there were shapes. The Gathering pulls together soft, overlapping forms in charcoal, taupe and a single terracotta dot: a cluster of quiet presences, close but distinct, like stones settled by a tide. Part of the Before Language collection: quiet, considered wall art designed to be l
Japandi
A threshold worth pausing at. Darwaza (The Doors) frames a grand entryway in charcoal and sand, terracotta detailing the centre seam. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The open heart of the house. Sehan (The Courtyard) captures the quiet, symmetrical calm of a Mughal inner courtyard in soft taupe and charcoal, terracotta marking its centre. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Light at its last, warmest moment. The Ember pairs deep charcoal with a warm terracotta glow at its centre: the quiet end of a day. Part of the Held Light collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The quality of things as they change. Utsuroi (The Passing) renders a soft gradient of forms mid-transition, charcoal fading into sand, terracotta marking the moment of change. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A terracotta staircase climbs alongside a whitewashed wall, one small window set low beside the first step. The shadowed face of the building falls to near-black, sharpening the sunlit stairs into bold relief. Terracotta and cream carry the whole piece, sun-struck and inviting.
Coastal
A lighthouse beam cuts across a dark, heaving sea, the water rendered in deep navy and charcoal swells. The night-time, stormier companion to a calmer lighthouse scene.
Coastal
A cluster of mussel shells hangs strung together, their deep blue-black shells catching cool highlights against plain cream. Simple still life, straight from the tide.
Architectural
Rectangular frames nest inside one another, each terracotta ring a little smaller than the last, pulling the eye toward a small dark doorway far in the distance. The effect is almost optical, hypnotic in its steady repetition. Terracotta and charcoal carry the whole piece, rhythmic and immersive.
Japandi
Vertical ribbons of terracotta, rust, and charcoal move down the canvas in a slow, deliberate curve, each stripe a little different in width and weight. The effect is closer to a current than a pattern: something moving rather than repeating. Terracotta and charcoal carry the whole piece, fluid and
Japandi
Two faceted stone forms stand side by side, one warm in terracotta and sand, the other cool in navy and slate. They lean together at the shoulder like old companions, each built from the same flat, sculpted planes. Terracotta and navy carry the whole piece, balanced and quiet.
Japandi
A jagged peak rises in faceted terracotta rock beneath a snow-dusted summit, the low sun catching every ridge and fold. The palette stays warm even at altitude: rust and clay rather than cold blue-grey. Terracotta and charcoal carry the whole piece, dramatic and sun-lit.
Japandi
A kyusu teapot and its cup stand together mid-pour, split cleanly down the middle between deep indigo and soft cream shadow. A still life built from one gesture.
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
Charcoal, black and ink grey add contrast and definition, and anchor a pale wall. Our charcoal prints range from bold abstract shapes to fine line art.
They suit modern and Japandi interiors, and look sharp in black or oak frames beside terracotta or cream pieces. Charcoal prints work well in a hallway or home office.
A charcoal print gives a neutral wall a strong anchor. Use one dark print to balance a group of lighter ones, or hang two charcoal prints as a matched pair for a graphic, modern look.
Keep exploring
Shop by colour Taupe & beige Neutral & cream Line Art Hallway
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