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Prints with charcoal, black or ink grey in the artwork. Dark tones add contrast and definition, and anchor a pale wall. They suit modern and Japandi spaces, and look sharp in black or natural oak frames next to cream and terracotta pieces.
Prints
154
Goes with
Cream, terracotta, beige
Mostly in
Japandi, Animals
Showing all 22 results
Figure
Folded jumpers in oxblood, cream and near-black rest on a blush pink chair, painted with the same loose warmth as a lived-in room. The colour story leans soft and cocooning, ideal for anyone drawn to slow mornings and textured knits. A gentle still life for a bedroom or reading nook that wants warmt
Figure
A dancer arches back, arms raised overhead in a single gestural sweep of dusty rose and black. The pose is loose and confident, painted with visible brushwork that keeps the movement alive on the wall. Warm and quietly powerful, this piece suits a living room or studio that wants a sense of motion.
Figure
A single oxblood chair with clean black legs sits alone against a soft blush ground, painted with the same loose, confident brushwork as the rest of the collection. Simple and sculptural, it reads as a quiet study in colour and form as much as furniture. A grounding accent for a reading nook or gall
Figure
Cropped at the waist, a figure strides forward in cream and black, a long terracotta shadow trailing behind. The composition is all movement and momentum, painted in bold, confident strokes. A piece that brings quiet energy to any hallway or living space.
Figure
Here the birds gather closer, a dense flock of burnt sienna, black, and warm tan sweeping across her face as she tilts her head back, eyes shut. Her hair is caught in a loose bun with a few strands escaping at the neck, and the painterly brushwork gives the whole scene a sense of quiet motion. Deepe
Figure
Soft organic shapes in black and oxblood settle against a warm neutral ground, tied together by a single thin red cord that winds through the composition. The forms feel abstracted from the body itself, quiet and sculptural rather than literal. A subtle, grounding piece for a gallery wall in warm to
Figure
Rendered in deep burgundy and oxblood, this profile portrait sits with eyes closed, wrapped in a cream and black striped fabric that frames the face like a hood. The mood is still and meditative, warm pigment built up in confident painterly layers. A grounding portrait for a quiet corner of the home
Figure
Two faces overlap in a patchwork of mauve, rust and black, abstracted into interlocking planes of colour against a soft blush ground. The effect is bold and painterly, closer to collage than portrait, full of quiet tension between the two forms. A striking anchor for a gallery wall that likes a litt
Figure
Just the ankles down, blush pink trainers planted on a terracotta floor, black socks catching the light. It is a small, unguarded moment rendered with loose, confident brushstrokes. Warm and a little playful, without ever raising its voice.
Figure
Two overlapping faces share a single neck and shoulder, one in terracotta, one in dusty mauve, split by a band of near-black. It reads like a quiet conversation with oneself, painterly and self-possessed. A striking focal piece for a gallery wall.
Figure
A hand cradles a single red poppy set in a striped white vase, painted against a soft blush ground. The gesture is tender and unhurried, as still as a held breath. A gentle, warm piece for a kitchen, bedroom, or quiet corner.
Figure
A sharp platinum bob frames a face lit half in warm coral and half in shadow, the split background echoing the bold graphic split of the portrait itself. Paired with a black turtleneck and deep red lips, the mood is confident and a touch editorial. A bold focal piece for a space that wants presence.
Figure
Caught mid-plunge, this diver hangs weightless against a soft cream sky, navy stripes tracing the line of the body through air. Loose, gestural brushwork gives the whole scene a sense of held breath just before the water breaks. A striking, athletic piece in navy and cream for a bathroom, hallway or
Figure
A figure curls into a black stool, lost in a book, wrapped in a chunky terracotta-striped jumper against a soft blush wall. The palette is warm and textural, all brushy orange and cream with a flash of red trainers underfoot. A cosy, quietly stylish portrait for a reading nook or living room wall.
Figure
Two women stand profile to profile, one framed in burgundy curls, the other in deep black, their faces softened by a blush pink ground. The mood is calm and companionable, painted in warm, close tones that feel like quiet conversation. A gentle piece for a gallery wall built around connection.
Figure
A single glossy mauve heel stands poised against a backdrop of bold burgundy and charcoal stripes, warm and graphic all at once. The deep burgundy floor grounds the composition in rich, wine-dark colour. A confident, fashion-editorial piece with real presence on a gallery wall.
Figure
A man sits at ease on pale steps, colourblocked coat catching blush and near-black against a soft lavender sky. There is a quiet confidence to the pose, painterly and unhurried. A refined, editorial portrait with warmth at its centre.
Figure
A single leg strides forward in dark trousers and a heeled shoe, its long shadow stretching across warm cream. Cropped and confident, it is painted with loose, textural strokes that favour mood over detail. A sleek, editorial piece for a fashion-minded wall.
Figure
A man rests crouched on a terracotta ledge, hood gathered around him, gaze lifted toward soft mauve clouds. The mood is unhurried and self-contained, painted with the ease of a caught breath. A grounded, contemporary portrait with real presence.
Figure
A man pauses at an open door, robe loose, feet bare on a black and white checkerboard floor bathed in soft lilac light. The scene feels caught between rooms, between moments, painted with a gentle, unhurried hand. A quietly cinematic print for a hallway, study, or gallery arrangement.
Figure
Three sun hats layer close together, their stripes in terracotta, dusty lavender, and crisp black-and-cream weaving into one warm, textured composition. It is a quiet study in pattern and proximity, painted with the same loose gouache hand as the rest of the collection. Terracotta and soft mauve kee
Figure
A striped umbrella in dusty rose and cream shelters against a deep, stormy green ground, its burnt sienna handle curling below like a comma. Rain falls in soft diagonal strokes, giving the piece a hushed, weathered calm. The contrast of warm rose against deep charcoal-green makes it a quietly dramat
Showing 22 of 22 prints
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
Charcoal, black and ink grey add contrast and definition, and anchor a pale wall. Our charcoal prints range from bold abstract shapes to fine line art.
They suit modern and Japandi interiors, and look sharp in black or oak frames beside terracotta or cream pieces. Charcoal prints work well in a hallway or home office.
A charcoal print gives a neutral wall a strong anchor. Use one dark print to balance a group of lighter ones, or hang two charcoal prints as a matched pair for a graphic, modern look.
Keep exploring
Shop by colour Taupe & beige Neutral & cream Line Art Hallway
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