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Prints with charcoal, black or ink grey in the artwork. Dark tones add contrast and definition, and anchor a pale wall. They suit modern and Japandi spaces, and look sharp in black or natural oak frames next to cream and terracotta pieces.
Prints
154
Goes with
Cream, terracotta, beige
Mostly in
Japandi, Animals
Showing 1–24 of 86 results
NewJapandi
Each step, a small rise. Zeena (The Steps) stacks charcoal and sand forms like a staircase climbing toward light, terracotta marking the top step. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
Stillness, suspended. Jhoola (The Swing) traces the gentle curve of a courtyard swing in soft charcoal and sand, terracotta marking its resting point. Part of the Deewan collection: quiet, considered wall art designed to be lived with, not just looked at.
Best sellerArchitectural
Four sails cross low against a warm terracotta sky, their striped fabric catching light in bands of cream and rust. The tower beneath is split cleanly into cream and charcoal, solid and unmoving beneath all that motion above. Terracotta and charcoal carry the whole piece, rustic and sun-warmed.
NewJapandi
Land, lifting. The Rise is the most upward-reaching piece in the collection: a column of stacked sand and charcoal forms climbing toward a single terracotta dot. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
NewArchitectural
Structure, stripped back to its essence. The Column stands as a single vertical form in charcoal against soft sand, terracotta marking its base: quiet architecture for a quiet room. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
NewJapandi
Colour, softening with time. The Fade moves from deep charcoal into pale sand across the page, terracotta the last mark to hold its full colour. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
What sits in the gap. The Between is built around the space two forms leave for each other: soft taupe and charcoal shapes with room to breathe, terracotta at the centre. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A single opening, framed in quiet colour. The Aperture centres a soft, rounded void surrounded by charcoal and sand, terracotta catching the eye at its edge. Part of The Still Form collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Motion, caught mid-circle. The Stir traces a slow spiral through warm charcoal and taupe tones, terracotta at the centre of the turn. Part of the What Nourishes collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The breath between one word and the next. The Pause is the quietest piece in the collection: a single terracotta mark suspended in soft, open space. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A spiral staircase coils down through the centre of the frame, viewed from directly above so the steps read as pure radiating pattern. Terracotta, cream, and charcoal alternate around the spiral, dizzying and precise. Terracotta and charcoal carry the whole piece, hypnotic and architectural.
Japandi
Where the ground quietly gives way. The Fault renders a single fracture line through layered taupe and charcoal forms, terracotta marking the point of separation. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Slow accumulation, made visible. The Formation stacks rounded charcoal and taupe shapes like sediment settling over time, terracotta marking the newest layer. Part of the Ground Work collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
Eight brick chimney pillars climb in a diagonal row, one standing out in dark charcoal among the warm terracotta and cream of its neighbours. A bright amber sky fills the space above, simple and glowing. Terracotta and amber carry the whole piece, rhythmic and sun-drenched.
Architectural
Five chimney stacks rise in ascending amber and rust from a pale industrial rooftop, each one a little taller than the last against a soft blue sky. The building beneath is simple and geometric, all flat planes and dark window openings. Amber and slate blue carry the whole piece, steady and industri
Japandi
A beat, repeated. Hyoshi (The Rhythm) arranges a steady sequence of charcoal and taupe forms across the page, terracotta marking the accent beat. Part of The Interval collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A vaulted arcade curves away at a steep diagonal, each terracotta rib catching its own shadow of deep charcoal as the tunnel recedes. The angle is dramatic and immersive, more a walk through the space than a view of it. Terracotta and charcoal carry the whole piece, bold and architectural.
Japandi
Where the ink meets the page. The Nib renders a single pointed form in charcoal against soft sand, terracotta marking the point of contact. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
The stroke that joins one letter to the next. The Ligature traces a single connected line through charcoal and taupe, terracotta settling at its curve. Part of the Quiet Ink collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A building’s roofline breaks into four flat triangular planes, each one a slightly different shade of terracotta, cream, and charcoal. There’s no ornament here at all: just the pure geometry of a corner meeting a peak. Terracotta and charcoal carry the whole piece, spare and confident.
Architectural
A terracotta staircase climbs beside a deep charcoal shadow, a single small window set into the pale wall just above the first step. The contrast between the sunlit stairs and the dark wall face gives the whole scene its quiet drama. Terracotta and charcoal carry the whole piece, sculptural and warm
Japandi
Every year, another ring. The Rings layers concentric charcoal and sand forms around a single terracotta centre: growth made visible. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Japandi
Being carried, gently. The Held nests one soft charcoal form inside another in taupe and sand, terracotta marking the point of contact. Part of the What Grows collection: quiet, considered wall art designed to be lived with, not just looked at.
Architectural
A winged gargoyle perches on a rocky ledge, its faceted charcoal form split by a bold coral sun rising directly behind it. The pose is watchful and still, more guardian than monster. Charcoal and coral red carry the whole piece, dramatic and bold.
Colour pairings
Three colour pairings we keep coming back to, each shown as a pair of real prints.
Charcoal, black and ink grey add contrast and definition, and anchor a pale wall. Our charcoal prints range from bold abstract shapes to fine line art.
They suit modern and Japandi interiors, and look sharp in black or oak frames beside terracotta or cream pieces. Charcoal prints work well in a hallway or home office.
A charcoal print gives a neutral wall a strong anchor. Use one dark print to balance a group of lighter ones, or hang two charcoal prints as a matched pair for a graphic, modern look.
Keep exploring
Shop by colour Taupe & beige Neutral & cream Line Art Hallway
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